Monika Plioplyte is a Chicago-based artist born in Lithuania. Her work draws on Baltic folklore, female archetypes, personal rituals, and the uncanny. She collages paper, photographs, and other materials into narrative structures that explore the past, the transmission of information, gender, and states of "in-betweenness" as they relate to her immigrant experience.
This virtual workshop focuses on the producing and pre-production strategies that set short films up for creative and logistical success. Students will learn how to break down a script, build a realistic budget and schedule, assemble a strong team, and plan for production with intention. Emphasizing preparation, communication, and problem-solving, the session equips emerging filmmakers with practical tools to move from idea to set efficiently—maximizing limited resources while protecting the story.
The UWM Piano Studio will present a recital of solo and chamber music repertoire.
In a first-time collaboration between Skylight Music Theatre and the UWM Department of Theatre, A ROCKIN’ Midsummer Night’s Dream takes the stage in the beautiful Cabot Theatre at the Broadway Theatre Center in Milwaukee’s Third Ward. Experience a brand-new take on William Shakespeare’s beloved comedy. Journey from ancient Athens, into the woods, and back again, as we follow impassioned lovers, hilarious rustics, fantastical spirits and feuding royalty in this magical, rock-and-roll rendition of one of the greatest and most-performed plays of all time.
Join UWM's Alta Voce with a guest treble choir from Round Lake High School.
The UWM Symphony Orchestra performs on April 10 in Bader Concert Hall in a program featuring Dana Sherman, Professor of Horn, as soloist in Larsson’s Horn Concerto under the direction of Dr. Jun Kim.
Join archivist Shiraz Bhathena in conversation with Dick Blau to celebrate a major archiving and remastering project. Blau—a co-founder of the UWM Film Department, longtime professor and fixture of the Milwaukee art community—works across film, photography and video producing a varied body of work that includes psychological portraiture, experimental narrative, devised performance, ethnomusicology and the domestic.
Born in West Texas, Kill Joy explores global mythology and ancient symbols through printmaking, murals, bookmaking, and puppetry. Based in Houston, she has created community murals worldwide.
Peggy Ahwesh’s wildly heterogeneous body of work—across moving image formats (from Pixelvision to machinima to super-8 and everywhere between), in installation and as object and through the ephemeral—engages with the political, the social, genre and identity in fascinatingly idiosyncratic, oneiric, visceral and rigorous ways.
Tomiko Jones is an Associate Professor at UW-Madison whose photography and multidisciplinary installations explore social, cultural, and geopolitical transitions – considering the twin crises of too much and too little amid climate change. Narratives unfold in sculptural video installations and fictional photographs.
Chamber Music Milwaukee presents a program featuring UWM alumni Elena Abend, piano, John Schultz and Pamela Simmons, violins, and Olga Tuzhilkov, viola as they join Stefan Kartman, cello in performances of dearly beloved masterpieces of the chamber music literature including Dvorak’s epic Eb major Piano Quartet Op. 87 and Mozart’s introspective “Dissonance” String Quartet in C major K. 465. Please join us for an evening of chamber music and support our alumni in this musical adventure.
Master dramatist and storyteller Anton Chekhov bookends the spring semester with The Three Sisters, offering a poignant contrast to the comedy and farce of Neil Simon’s The Good Doctor. In this tour de force of love, longing and heartbreak, sisters Olga, Masha and Irina languish in a provincial town, far from their beloved Moscow. There, they yearn for the sparkling city of their childhood, where they dream all wishes can be fulfilled. A masterful look at a family navigating the space between reality and dreams, The Three Sisters envelops you with exquisite moments of humor and hope.
This workshop offers emerging animators an industry-informed look at building a sustainable creative path beyond school. Through practical tips and real-world insight, students will explore animation workflows, professional expectations, and strategies for navigating freelance and studio environments. The session also centers on finding and refining your artistic voice—balancing personal expression with industry demands—while offering guidance on portfolios, networking, and post-graduation next steps for launching a career in animation.
Cynthia Brinich-Langlois explores altered topographies, cartographic systems of ordering space, and metaphorical interpretations of ecological systems through prints, books, and video. She’s exhibited widely and held residencies at Elsewhere and Ucross. She teaches Printmaking & Book Arts at UWM.
Spend the morning with the UWM String Academy as students ages 4 through 18 perform an engaging program of music from around the world. This concert showcases the talent and hard work they’ve put in throughout the semester.
MFA candidates Corrigan Eckert and Jack Lehtinen explore philosophical questions facing the human race and their connection to the world around them. Eckert focuses on place-based art’s role in community and land stewardship, while Lehtinen critiques AI by contrasting machine-made works with hands-on print and papermaking.
Join us for an evening of jazz featuring the UWM Jazz Ensemble, the UWM Afro-Caribbean Jazz Orchestra and the UWM Youth Jazz Ensemble (UJAY).
Students enrolled in Advanced Electronic Music and Sound Art, representing UW-MESS (UWM Electroacoustic Sound Studios), will showcase their final projects in a concert featuring all-new works of interactive electronic music!
Join us for a free faculty performance featuring René Izquierdo, Elina Chekan, Kevin Loh and Alberto Daniel Quintanilla.
The quartet will perform an ambitious FREE series in May of twelve masterworks over six concerts, opening with: Beethoven String Quartet No. 5 in A Major — Beethoven wrote this as a conscious love letter to Mozart, studying and modeling a specific Mozart quartet so carefully that this is the most intimate and refined music in the set — elegant, shimmering, and at times almost fragile. AND Mozart String Quintet in C Major, K. 515 (1787) — The grandest of the six, opening with the longest chamber music movement Mozart ever wrote. Settle in and let its radiant confidence and symphonic scale carry you.