The Department of Film, Video, Animation & New Genres is proud to celebrate the graduating class of 2024 and their fantastic thesis films! Seniors work all year on their thesis films; writing, directing, producing, editing, and polishing these films. Come celebrate their hard work and watch some of the most unique and exciting films from the next generation of artists and filmmakers coming out of Milwaukee!
Lago Gatún, Kevin Jerome Everson’s 2021 feature, is an entrancing journey north through the Panama Canal—a juncture of commerce between two vast oceans. Abstract and spare, the film’s meditative play with light and shadow opens up reflection on the colonial trade histories that lie below the surface. (MoMA)
Any conversation about the most important artists and experimental filmmakers working over the past quarter century would be incomplete without the name Kevin Jerome Everson. His distinctive and singularly nuanced work blends documentary and fiction to articulate the profound within the ordinariness of everyday life. Kevin will present an artist talk on his practice and celebrated filmography.
Any conversation about the most important artists and experimental filmmakers working over the past quarter century would be incomplete without the name Kevin Jerome Everson. His distinctive and singularly nuanced work blends documentary and fiction to articulate the profound within the ordinariness of everyday life. Kevin will be present to introduce and discuss a collection of his short works, ranging primarily from 2022-2024.
This screening will serve as a prelude to Kevin Jerome Everson’s on-campus visit the following Friday and Saturday. The program will feature two medium-length films, Ten Five in the Grass and Company Line, as well as one short film, Undefeated.
The Milwaukee Underground Film Festival (MUFF) is a student run film festival devoted to showcasing independent, artist driven cinema. For two decades we have been programming filmmakers that defy convention in an attempt to amplify unheard voices. Our festival celebrates the potential of cinema to imbue a community with excitement, critical discussion, and open-mindedness through the presentation of new artistic forms.
DatesLocationApril 16, 2024 (7–9 p.m.)UWM Union Cinema Join us for an evening of short films by Parastoo Anoushahpour and stay for a Q&A after the screening. Anoushahpour is an Iranian artist based in Toronto with a moving image practice working …
The Department of Film, Video, Animation & New Genres presents their annual Animation Showcase featuring the latest work of prospective BAs. Programmed by Ethereal Animation prize winner, Elizabeth Whelan, the theme for the animated showcase this year is expression. Student work demonstrates creative expression and highlights their passion for animation in all forms: 2D, stop motion, cutout and 3D animation. Come and show your support for the animation area and the future animators of today!
Join us for a collection of shorts by Shambhavi Kaul and stay for a Q&A after the screening.
Amir George creates spiritual stories, juxtaposing sound and image with a non-linear perception. He creates fragmented vignettes that conjure the secret life of objects both found and collected. The characters that inhabit his stories tend to dwell outside of social norms and exist in the space between and in the process of becoming. Amir’s short films have screened at film festivals including BlackStar Film Festival, Rockaway Film Festival and Camden International Film Festival, as well as cultural institutions, including Institute of Contemporary Arts, London; Moma PS1; Royal College of Art; Museum of Contemporary Arts, Los Angeles; and Museum of Contemporary Arts Detroit.
How can we mend the wounded world if we are open wounds ourselves? Team-curated by MFA candidates and recent grads Sarah Ballard, Magdalena Bermudez, Luciana Decker, Sam Drake, and Liyan Zhao this program will feature a selection of films featured at the 2023 Flaherty Seminar.
Join us for an evening with Selina Trepp who will be in attendance at the screening.
Letting etymology lead, this program brings together works of animation as a kind of animating spirit: films that expand beyond the frame and films that sense and are sense. As an archival activation, we ask the films what they’ve been dreaming about in their hibernation and ask an audience to meet and mingle.
Get to know the creative work of the Film, Video, Animation & New Genres faculty and staff at this all-star screening. Expect drama, documentary, experimentation, comedy, appropriation, and the unexpected. Many of the artists, your teachers, will be in attendance.
Rhayne Vermette was born in Notre Dame de Lourdes, Manitoba. It was while studying architecture at the University of Manitoba, that she fell into the practices of image making and storytelling. Primarily self taught, Rhayne’s films are opulent collages of fiction, animation, documentary, reenactments and divine interruption. Ste. Anne is her first feature narrative. Inney Prakash is a film curator based in New York City. He is a Cinema Programmer at Maysles Documentary Center, Curatorial Lead for the San Diego Asian Film Festival, and Founder/Director of Prismatic Ground, a NY festival centered on experimental documentary and avant-garde film.
Ross Meckfessel is an artist and filmmaker who works primarily in Super 8 and 16mm film. His films often emphasize materiality and poetic structures while depicting the condition of modern life through an exploration of apocalyptic obsession, contemporary ennui, and the technological landscape. Filmmaker in person!
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures. Originating from two novellas of J.-H. Rosny, film takes up their pluralist vision of evolution, where imagining prehistory is inseparable from envisioning the future. Filmmaker Deborah Stratman in person!
A meditation on the milieu of elevated threat addressing national identity, gun culture, wilderness, consumption, patriotism and the possibility of personal transcendence. Of particular interest are the ways Americans have come to understand freedom and the increasingly technological reiterations of manifest destiny. Presented on 16mm from the UWM Cinema Arts Archive.
