DatesLocationApril 16, 2024 (7–9 p.m.)UWM Union Cinema Join us for an evening of short films by Parastoo Anoushahpour and stay for a Q&A after the screening. Anoushahpour is an Iranian artist based in Toronto with a moving image practice working …
The Department of Film, Video, Animation & New Genres presents their annual Animation Showcase featuring the latest work of prospective BAs. Programmed by Ethereal Animation prize winner, Elizabeth Whelan, the theme for the animated showcase this year is expression. Student work demonstrates creative expression and highlights their passion for animation in all forms: 2D, stop motion, cutout and 3D animation. Come and show your support for the animation area and the future animators of today!
Join us for a collection of shorts by Shambhavi Kaul and stay for a Q&A after the screening.
Amir George creates spiritual stories, juxtaposing sound and image with a non-linear perception. He creates fragmented vignettes that conjure the secret life of objects both found and collected. The characters that inhabit his stories tend to dwell outside of social norms and exist in the space between and in the process of becoming. Amir’s short films have screened at film festivals including BlackStar Film Festival, Rockaway Film Festival and Camden International Film Festival, as well as cultural institutions, including Institute of Contemporary Arts, London; Moma PS1; Royal College of Art; Museum of Contemporary Arts, Los Angeles; and Museum of Contemporary Arts Detroit.
How can we mend the wounded world if we are open wounds ourselves? Team-curated by MFA candidates and recent grads Sarah Ballard, Magdalena Bermudez, Luciana Decker, Sam Drake, and Liyan Zhao this program will feature a selection of films featured at the 2023 Flaherty Seminar.
Join us for an evening with Selina Trepp who will be in attendance at the screening.
Letting etymology lead, this program brings together works of animation as a kind of animating spirit: films that expand beyond the frame and films that sense and are sense. As an archival activation, we ask the films what they’ve been dreaming about in their hibernation and ask an audience to meet and mingle.
Get to know the creative work of the Film, Video, Animation & New Genres faculty and staff at this all-star screening. Expect drama, documentary, experimentation, comedy, appropriation, and the unexpected. Many of the artists, your teachers, will be in attendance.
Rhayne Vermette was born in Notre Dame de Lourdes, Manitoba. It was while studying architecture at the University of Manitoba, that she fell into the practices of image making and storytelling. Primarily self taught, Rhayne’s films are opulent collages of fiction, animation, documentary, reenactments and divine interruption. Ste. Anne is her first feature narrative. Inney Prakash is a film curator based in New York City. He is a Cinema Programmer at Maysles Documentary Center, Curatorial Lead for the San Diego Asian Film Festival, and Founder/Director of Prismatic Ground, a NY festival centered on experimental documentary and avant-garde film.
Ross Meckfessel is an artist and filmmaker who works primarily in Super 8 and 16mm film. His films often emphasize materiality and poetic structures while depicting the condition of modern life through an exploration of apocalyptic obsession, contemporary ennui, and the technological landscape. Filmmaker in person!
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures. Originating from two novellas of J.-H. Rosny, film takes up their pluralist vision of evolution, where imagining prehistory is inseparable from envisioning the future. Filmmaker Deborah Stratman in person!
A meditation on the milieu of elevated threat addressing national identity, gun culture, wilderness, consumption, patriotism and the possibility of personal transcendence. Of particular interest are the ways Americans have come to understand freedom and the increasingly technological reiterations of manifest destiny. Presented on 16mm from the UWM Cinema Arts Archive.