Shannon Molter holds a BFA from the Peck School of the Arts in both Fiber Art and Art Education, with an Honors College certificate in Philosophy.
A native of New Orleans, LA, Katrina Andry received an M.F.A in printmaking in 2010. She currently lives and works in New Orleans where she maintains a studio. Andry’s work is often in dialogue with the viewer, asking them to confront their own race and gender biases and to consider how it affects the quality of life of their community writ large.
Valaria Tatera is a visual artist whose work investigates the intersection of ethnicity, gender, commerce, and the environment. A member of the Bad River Band of Lake Superior Chippewa, Tatera explores self- identity and contemporary Indigenous issues such as the environment, sovereignty, and the co-opting of imagery.
Kynita Stringer-Stanback is an Information Activist / Sociology Librarian at the University of California, Santa Barbara where she provides engaging liaison services in collaboration with the BlackStudies/Sociology departments and to students in support of developing their awareness of the complex scholarly information environment.
Antonius-Tín Bui (they/them/theirs pronouns) is a spontaneous shapeshifter and poly-disciplinary artist with roots all over the country. They play in the realms of hand-cut paper, community engagement, performance, and soft sculpture to visualize hybrid identities and histories that confront the unsettling present.
Cobi Moules is a painter whose work focuses on personal narrative relating to his queer and transgender identity. Reflecting on art historical representation of both portraiture and 19th century American landscape painting, his work often disrupts the historical narratives while seeking inclusion and creating a space for personal significance and a queer presence.