Upon its release in 1991, Tribulation 99 became an instant counter-culture classic. Craig Baldwin's "pseudo-pseudo-documentary" presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.

This promotional initiation video lures inductees with promises of decolonization and settler remediation. Imagery of settler-led planetary destruction is juxtaposed with sequences of underground group therapy sessions where settlers can lose, forget, and explore their identities in order to indigenize. Sharing their labor, lurking through museums, and institutions, future accomplices snap thousands of cellphone pictures of every artifact and artwork on hand.

Born in Nagoya, Japan, Tomonari Nishikawa immigrated to the United States in 1999 to pursue filmmaking and earned his MFA from the San Francisco Art Institute. He passed away in April 2025, leaving behind a profound legacy as an artist, teacher, and friend to many in the experimental film community.

Curated by MFA candidates from the Department of Film, Video, Animation and New Genres, these programs feature a unique opportunity to see some of the incredible 16mm prints from the UWM Cinema Arts Archive. For each program, the curator is invited to program a selection of films around a theme of their choosing.