Rory King is a Brooklyn-based multidisciplinary designer, creative director, writer, and educator. He’s collaborated with artists, architects, curators, designers, musicians and brands like Sony Music, Vox Media, and 2×4, and taught design at Pratt Institute and Wayne State University.
Steve Teeple (aka Teeps) is a Los Angeles-based digital artist specializing in 3D character development and printing, digital sculpting and art, visual development, and illustration. He’s worked across games, fashion, music, TV, and film, collaborating with artists like The Weekend and Billie Eilish. He graduated from UWM in Interdisciplinary Arts & Technology.
Monika Plioplyte is a Chicago-based artist born in Lithuania. Her work draws on Baltic folklore, female archetypes, personal rituals, and the uncanny. She collages paper, photographs, and other materials into narrative structures that explore the past, the transmission of information, gender, and states of "in-betweenness" as they relate to her immigrant experience.
Born in West Texas, Kill Joy explores global mythology and ancient symbols through printmaking, murals, bookmaking, and puppetry. Based in Houston, she has created community murals worldwide.
Tomiko Jones is an Associate Professor at UW-Madison whose photography and multidisciplinary installations explore social, cultural, and geopolitical transitions – considering the twin crises of too much and too little amid climate change. Narratives unfold in sculptural video installations and fictional photographs.
Cynthia Brinich-Langlois explores altered topographies, cartographic systems of ordering space, and metaphorical interpretations of ecological systems through prints, books, and video. She’s exhibited widely and held residencies at Elsewhere and Ucross. She teaches Printmaking & Book Arts at UWM.
MFA candidates Corrigan Eckert and Jack Lehtinen explore philosophical questions facing the human race and their connection to the world around them. Eckert focuses on place-based art’s role in community and land stewardship, while Lehtinen critiques AI by contrasting machine-made works with hands-on print and papermaking.