Cheshire | IØ

Cheshire IS NOT ACCEPTING SUBMISSIONS AT THIS TIME. 

 

Yoji Yamamoto (revisited) II by Anton Lushankin

from Indiesemic by Dona Mayoora

Visual Works by Michael Paulukonis

Asemic Works by Jeanne Ranney Ranz

Three Works by Maya C. Thompson

Asemic Journal Poems by Stephen Nelson

Two Works by Kenneth M. Cale

Two Works by Astra Papachristodoulou

Moreau’s Doctored Bodies by James Knight

Asemic Objects by Grzegorz Wróblewski

Make by Ben Miller

The original Cheshire was started at the Wisconsin State Teachers College in 1931 and ended at UWM in 1968, a year before the new Creative Writing program began. In 1964, it was at the center of a university censorship case. When the off-campus printer refused to publish certain poems it deemed “obscene,” the editors inserted them into copies anyway. More on that story here.

In that same revolutionary spirit, Cream City Review is proud to reintroduce our predecessor as our new home for work that operates outside the printed page. Cheshire seeks bold new writing, coding, videography, and expression from all over the world.

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See also our past IØ editions below for more interactive writing!

What we want: asemic writing, concrete poetry, interactive fiction & poetry, video, collage, hypertext essay, GIFpoetics, programmatic, gamic, and all hybrid and multimodal points along the way, things that capture process and procedure, lines and the signs between.

We are also interested in work guided by a philosophy of the new, which is to say work in which form and message converge in radical new ways. Queer, anticolonial, and ecotextual work is more than welcome.

What we don’t want: Text-based work that engages very little with mixed and/or  digital medium. For instance, if the only thing “experimental” about your poems is the spacing, they may be a better fit for our Cream City Review print issues (and you should totally send them there).

Cheshire IS NOT ACCEPTING SUBMISSIONS AT THIS TIME.