Offering free screenings of the most recent and celebrated experimental work in 35mm, 16mm and video. A standout venue for a parade of visiting filmmakers and touring programs, this series is hosted in partnership with UWM’s Union Cinema.

Experimental Tuesdays is a FREE weekly screening series that features the most celebrated work of contemporary and historical artist-made film and video. The series seeks to present films and artists that explore the creative and critical potential of moving images. This series amplifies marginalized voices by hosting artists that represent diverse populations, such as LGBT, Native American, Black and Latinx artists. Hosted by the Department of Film, Video, Animation & New Genres, and presented in partnership with UWM’s Union Cinema, this series is a bedrock of the Milwaukee arts landscape. Experimental Tuesdays has recently hosted the work of Silvia das Fadas, Courtney Stephens, Simon Liu, Helena Wittman, Jessica Bardsley, Suneil Sanzgiri, Mary Helena Clark, Angelo Madsen Minax, and Rhayne Vermette to name a few. This screening series is free and open to the public.

Upcoming Screenings

2025 Fall Screenings


A still frame showing an old map of the United States of America showing alien anomalies.

September 9, 7:00 pm

Experimental Tuesdays: Tribulation 99

Upon its release in 1991, Tribulation 99 became an instant counter-culture classic. Craig Baldwin's "pseudo-pseudo-documentary" presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.


A close-up of a hot grill with hotdogs and a hamburger that has the words "never settle" charred into the meat.

September 16, 7:00 pm

Experimental Tuesdays: New Red Order – Never Settle

This promotional initiation video lures inductees with promises of decolonization and settler remediation. Imagery of settler-led planetary destruction is juxtaposed with sequences of underground group therapy sessions where settlers can lose, forget, and explore their identities in order to indigenize. Sharing their labor, lurking through museums, and institutions, future accomplices snap thousands of cellphone pictures of every artifact and artwork on hand.


Still frame of a blurred, overlaid, multicolor scene with what appears to be a busy city street.

September 23, 7:00 pm

Experimental Tuesdays: Tomonari Nishikawa, In Memoriam

Born in Nagoya, Japan, Tomonari Nishikawa immigrated to the United States in 1999 to pursue filmmaking and earned his MFA from the San Francisco Art Institute. He passed away in April 2025, leaving behind a profound legacy as an artist, teacher, and friend to many in the experimental film community.


The word "tonight" is written in white on a red canvas stretched between a metal sign.

September 30, 7:00 pm

Experimental Tuesdays: From the Archives

Curated by MFA candidates from the Department of Film, Video, Animation and New Genres, these programs feature a unique opportunity to see some of the incredible 16mm prints from the UWM Cinema Arts Archive. For each program, the curator is invited to program a selection of films around a theme of their choosing.


A large white tower is seen in a blue sky with 16 listening devices attached to the top

October 7, 7:00 pm

Experimental Tuesdays: Preemptive Listening

In an age of intersecting political, man-made and ecological disasters, ‘Preemptive Listening’ is an ode to the sirens that are and those that could be. Siren compositions from over 20 contemporary musicians form a resonant voice to ask; Does an alarm have to be alarming? 


Videofreex David Cort, Bart Friedman and Parry Teasdale are seen filming kids' programs and daily goings-on in 1973 at their Maple Tree Farm in Lanesville, N.Y.

October 14, 7:00 pm

Experimental Tuesdays: Co, Co, Co

Conventionally hierarchical production practices offer a limited but culturally outsized sense of how we can make films together. This program glimpses generously at other approaches to collaborative filmmaking, pondering how the processes of production inform final forms. These ranging relational modes tease at the poetics, politics and possibilities group work magnetize and manifest.


Still frame showing the bottom half of a horse and human underwater moving away from the camera.

October 21, 7:00 pm

Experimental Tuesdays: Dani & Sheila Restack

Dani and Sheilah Restack have embarked on an artistic relationship that is formally and emotionally adjacent to their domestic lives, a quotidian zone they share with their young daughter Rose. Both artists have established careers on their own. Neither Dani’ video work or Wilson’s multimedia performance and installation work could exactly prepare us for the force of the women’s collaborative efforts. – Michael Sicinski, Cinema Scope, 2017.


Still frame showing two hands grasping toward what appears to be floating particles of light.

October 28, 7:00 pm

Experimental Tuesdays: Adebukola Bodunrin

Adebukola Bodunrin is a Nigerian-Canadian film, & video artist who explores language, culture, and media. In her collage animations, she manipulates film using unorthodox manual and digital techniques to produce unexpected cinematic experiences. Bodunrin’s animation work has been featured on the television series Transparent, and in KCET’s “Lost LA” series, for which she also won an LA Area Emmy award for segment direction.


A still from Ken Jacobs Perfect Film featuring a man in a suit speaking into a microphone while surrounded by a crowd in a city street.

November 4, 8:00 pm

Experimental Tuesdays: Ken Jacobs — Looking Forward to a World without Money 

Ken Jacobs, one of the true radicals of American cinema and a lion of experimental film, passed October 5th, a mere season since his beloved wife and collaborator Flo preceded him. They lived long, full, beautiful lives. In addition to his inimitable work in film, video, painting, performance and all range of moving images, Ken started and was at the center of the film program at SUNY-Binghamton and co-founded The Millennium Film Workshop.


Black-and-white film still titled Una Sombra Oscilante, showing a close-up of a hand resting on a surface with dramatic lighting and deep shadow — evoking themes of intimacy, presence, and impermanence.

November 11, 7:00 pm

Experimental Tuesdays: Una Sombra Oscilante (An Oscillating Shadow) 

In her debut feature, photographer and filmmaker Celeste Rojas Mugica confronts the political weight of images, revisiting her father’s photographic archive developed in exile in Latin America following activist involvement during the Pinochet dictatorship. 51 years later, this gentle, complex and visually resourceful account of densely traumatic history conjures an intimate family portrait from the dark room – opening spaces for reflection and resistance.


A black and white still frame image in art deco style with the word FOCUS at the center.

November 18, 7:00 pm

Experimental Tuesdays: From the Archives

Curated by MFA candidates from the Department of Film, Video, Animation and New Genres, these programs feature a unique opportunity to see some of the incredible 16mm prints from the UWM Cinema Arts Archive. For each program, the curator is invited to program a selection of films around a theme of their choosing.


A woman rests her head in her arm while one eye looks directly into the camera.

December 2, 7:00 pm

Experimental Tuesdays: Iva Radivojević

Iva Radivojević was born in Belgrade and spent her early years in Yugoslavia, Cyprus and NYC. She is an artist and filmmaker who currently divides her time between Athens and Lesbos. Her work presents itself as a collection of fragments {observations, poetry, images, sounds, melodies, languages}  which collage together to connect into a ruminating whole. The work circles around dislocation, migration and belonging, seeking to connect to the metaphysical or the magical. 

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