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Continuum 2026

September 4 September 26

Mid-century style wooden console table with cabinet doors and long top against white background

Date & Time
September 4–26, 2026
Wednesday–Friday (2–7 p.m.), Saturday (11 a.m.–3 p.m.)
Reception: Friday, September 4 (5–7 p.m, remarks at 6 p.m.)

Continuum 2026 brings together two compelling exhibitions—one honoring the enduring influence of landscape through Kevin Giese’s work, and the other reflecting on the lasting impact of mentorship and cultural exchange through a historic UWM study abroad experience. Together, they offer a powerful exploration of place, memory, and artistic legacy across generations.

Touching the Earth: Kevin Giese and Friends

Touching the Earth features the work of Kevin Giese. Select artworks from the past 30 years of his career include drawings, paintings, furniture and sculptural installations that reflect his deep connection to the Wisconsin landscape.

Kevin received a Bachelor of Fine Arts degree in 1993, a Master of Art degree in 2005, and a Master of Fine Arts degree in 2007, all from the University of Wisconsin-Milwaukee. For 18 years Kevin taught courses in drawing, sculpture and advanced woodworking at the Peck School of the Arts. In addition, he was the supervisor and technician for the Kenilworth Square East woodshop. He retired staff emeritus in 2025.

Participating artists include UWM alumni Brent Budsberg, Jeffry Giese, Shana McCaw, David Niec, Josie Osborne and Richard Taylor. Each responded to the theme of Touching the Earth. The range of concept, skill, and form between these artists bears well the influence of UWM’s art community from the past 30 years and more.

Exhibiting Artists

Organic, rock-like sculptural form rests in a wooden support structure with curved edges and mossy green textures.
Brent Budsberg &
Shana McCaw

BFA, Art-Sculpture, 2000
MFA, Cranbrook Acendemy of Art, 1999

Abstract wood sculpture with sweeping curved forms and pointed tips, rising from a circular wooden base.
Jeffry Giese

BFA, Art, 1983

Mid-century modern wooden cabinet with sliding doors, wide side shelves, and a tall central display compartment.
Kevin Giese

BFA, Art-Painting & Drawing, 1993; MA, Art, 2005; and MFA, Art, 2007

Four panel charcoal drawing of two bright moons reflecting across a dark, textured sea beneath cloudy skies.
David Niec

BFA, Art-Painting & Drawing, 1988

Open wooden specimen box displaying bones and natural objects, with dried leaves and labeled artifacts arranged around it.
Josie Osborne

BFA, Art-Painting & Drawing, 1989

Colorful abstract wall relief with etched geometric panels, metallic forms, and layered patterns in green, pink, and gold.
Richard R. Taylor

BA, Art History, 1977 and MFA, Art, 1991

Mentorship & Memory: The Haitian Exchange with John Colt

Mentorship and Memory celebrates the profound and lifelong impact of a transformative 1977 study abroad program led by the late Professor of Art and Design, John Colt. During this month-long arts study in Haiti, fourteen University of Wisconsin-Milwaukee students were introduced to the island’s culture and artistic traditions through Colt’s personal connections, including the Haitian National Museum. The experience culminated in a dedicated studio project and an international showcase, serving as a pivotal moment that shaped the creative trajectories and professional lives of those involved, including the late award-winning political cartoonist, Stuart Carlson.

Conceived by UWM alumni Mary (Griffin) Carlson, Jane Michalski, and Warren Garstecki to honor Professor Colt, the exhibition reunites several of the original participants to showcase their artistic evolution over the nearly five decades since the trip. The exhibition features a diverse range of works from alumni, alongside pieces by John Colt. By blending contemporary artwork with personal statements and archival context from the original “Haitian Package” project, the exhibition highlights the enduring power of mentorship and the lasting influence of cultural exchange on the UWM artistic community.

Exhibiting Artists

Ceramic sculpture resembling a rocky shoreline cave beside a blue pool on a textured sandy base.
Mary Carlson

BS, Special Education, 1978; MS, Educational Psychology, 1983

Mixed-media shadow box artwork with a blue textured frame, featuring a silhouetted figure, twisted ceramic form, and gathered twigs in layered compartments.
Stuart Carlson

BFA, Painting and Drawing, 1978

Abstract painting featuring star-shaped forms in peach and orange over a dark textured shape, surrounded by soft circular and botanical motifs on a pale pink background.
John Colt

Art & Design Professor, 1957 – 1990 

Abstract textured painting with a warm beige center framed by gray tones, displayed on a vivid red wall.
Warren Garstecki

MFA,1981

Abstract expressionist painting in deep blue tones with layered textures, splatters, and ghostlike figures emerging from a dark, atmospheric background.
Ruth Kjaer

University of Iowa

Bare black tree branches weave across a misty abstract landscape, blending cool blues and warm orange tones.
Jane Michalski (Lubbers)

BFA, Painting and Drawing,1978

Mountainous landscape with steep ridges, terraced hillsides, and scattered structures beneath a bright, cloud-filled sky.
Kathy Middleton

BFA, Art, 1982

Abstract composition of vibrant rainbow colors formed by dense diagonal lines, creating glowing, layered shapes and movement across the canvas.
Ellie Mixter-Keller

BFA, Visual Communications, 1978

Abstract watercolor with soft pink, gold, and blue hues, featuring a dark cascading form against a misty, atmospheric background.
Sue Strande

BFA, Art, 1978; MFA, Art, 1982

2155 N. Prospect Ave
Milwaukee, WI 53202