The Others

At the end of the Second World War, Grace Stewart (Nicole Kidman) and her two children live an isolated existence behind the locked doors and drawn curtains of a secluded mansion in the Channel Islands. The sudden arrival of her apparently shell-shocked husband and a coterie of mysterious new servants raise Grace’s suspicions that there is more to the house than meets the eye.

Alice

Czech animator Jan Švankmajer’s masterpiece, ingeniously combining animation with live action, remains true to the absurdity of Lewis Carroll’s book but bears the distinctive stamp of Švankmajer’s obsessions, bringing a Cold War strangeness to bear on this timeless tale of children and their far-from-canny daydreams.

Sanatorium Under the Sign of the Hourglass | Milwaukee premiere!

Jozef boards a ghostly train via a forgotten branch line to visit his dying father at a remote Galician sanatorium. Upon arrival, he finds the hospital under the dubious helm of Doctor Gotard, who claims his father’s death has not yet occurred because the the sanatorium lags indeterminately behind the world outside. The imagination of the Brothers Quay floats between sleep and waking; time and events here cannot be measured by daylight means. Followed by Christopher Nolan’s 2015 behind-the-scenes documentary, Quay, on 35mm!

A Night in Madagascar

Escape to the wild and vibrant world of Madagascar for one unforgettable night! Join us for an island-inspired experience filled with tropical vibes and lively music. From jungle beats to colorful decor, you’ll feel like you’ve stepped right into paradise.

Alisi Telengut | Experimental Tuesdays

Alisi Telengut is a Canadian animator and academic of Mongolian roots living between Berlin and Montréal/Tiohtià:ke who uses mixed media, oil pastels, sand, stones, crystals, and found materials in her research into human-nature relationships, animistic worldviews, materiality, and the knowledge-ways of indigenous Mongolians.

Surrendur

Surrendur transmits the stories of Mike Forcia (Bad River Anishinaabe), who orchestrated the 2020 toppling of a Christopher Columbus monument in Minnesota, and Ta Pe’juta Wičháȟpi Win (Hunkpati Dakota Oyate), whose political consciousness was awakened while dancing around the fallen statue with her daughter.

Faculty Showcase

Free for everyone! UWM’s department of Film, Video, Animation, and New Genres is home to a faculty and staff who are not only exceptional educators but also accomplished artists, whose creative work spans disciplines, genres, and modes of production. Expect …

Minamata Mandala

Filmed over fifteen years, this six-hour epic by documentarian Kazuo Hara chronicles the history of struggle for a fishing community suffering from a debilitating neurological disease caused by industrial methylmercury contamination of fish as they wage a decades-long battle for legal recognition and government reparations. A deeply humanizing portrait of the survivors, care providers, researchers, and their supporters, and a comprehensive chronicle of one of the worst environmental tragedies in human history.

In a Lonely Place | 35mm print!

When a washed-up screenwriter with a hair-trigger temper (Humphrey Bogart) becomes prime suspect in a Tinseltown murder, his only alibi is a seductive neighbor (Gloria Grahame) with her own troubled past. Nicholas Ray’s emotionally charged thriller is a turbulent mix of suspense-wracked noir and devastating melodrama. An uncompromising tale of two people desperate to love in spite of their demons, one of the greatest films of the 1950s and a benchmark in the career of the legendary Hollywood auteur.

We Can’t Go Home Again

Made with his students in upstate New York, Nicholas Ray’s experimental masterpiece embodies the director’s practice of filmmaking as a communal way of life, featuring Ray variously as mentor, friend, and index to his students’ stories of love, rebellion, and lost innocence.  Reconstructed and restored from its 1973 release, the film’s unique, almost anthropological approach to multiple-image storytelling, records the history, progress, manners, and mores of everyday life at a critical moment in 1970s America.