• The Body Speaks: Scribing and Scoring Autoethnography

    Mitchell Hall, Studio 254 3203 N. Downer Ave., Milwaukee, WI

    Department of Dance Student Undergraduate Research Fellows (SURF) Kasey Eckhardt, Paloma Kong-Ndoumbe, Elise Leonard, and Brooke Allison Parkinson collaborate with faculty mentor Maria Gillespie to present an informal showing of their choreographic research. Music performance by Paul Westfahl.

  • Life Celebration for Professor Emerita Marcia Parsons

    Mitchell Hall, Studio 254 3203 N. Downer Ave., Milwaukee, WI
    Hybrid Event

    Join the Department of Dance to celebrate the life, teaching, and creative work of Professor Emerita Marcia Parsons. Professor Parsons taught at UWM for 39 years where she shaped many of the departments programs, including the original MFA in Dance, BA in Dance, and the Early Childhood through Adolescence program. Please join us for a celebration of Professor Parsons' impact on UWM, all her students, and the Milwaukee dance community. The event will include performances by local dance companies, and a reception to follow.

  • Dance MFA Thesis – “a cat in the classroom”

    Mitchell Hall, Studio 254 3203 N. Downer Ave., Milwaukee, WI

    a cat in the classroom is a collaboration between Samuel B. Hanson, UWM Dance MFA candidate, and Nora Price, a Milwaukee-native living and working in the Western U.S. known for a string of excellent post-punk bands and experimental dance films.

  • Moving Between Tongues: Choreographing Translation

    Mitchell Hall, Studio 254 3203 N. Downer Ave., Milwaukee, WI

    Department of Dance Student Undergraduate Research Fellows (SURF) Lia Smith-Redmann, Libby Steckmesser, and Rae Zimmerli collaborate with faculty mentor Maria Gillespie to present an informal showing of their choreographic research.  Moving Between Tongues developed from choreographic research exploring meaning making in the pre and post lingual forms of dance. The dancers share the products of their aesthetic practice as a nexus in which auto-ethnography, embodied storytelling, and interdisciplinary performance practice reveal how translation is an embodied and ongoing practice.