While Lizzie Borden’s features BORN IN FAMES and WORKING GIRLS have taken their place as landmarks of feminist cinema, her debut—the fascinating experimental documentary REGROUPING—has gone largely unseen. A multilayered, self-reflexive portrait of a 1970s New York City feminist collective, the film charts the rifts that form within the group and between its members and the filmmaker—a breakdown that is reflected in the film’s radical splintering of sound and image.