- lmoline@uwm.edu
- Art Building 417
- She / Her
Lisa Moline
- Professor, Design & Visual Communication
- Co-Area Head, Design & Visual Communication
Education
- MFA, Printmaking, UW-Madison
- Certificate, Special Advanced Studies in Printmaking, Central School of Art & Design, London, England
- BA, Studio Art, Smith College, Northampton, MA
Biography
Lisa Moline is an artist and designer living and working in Milwaukee. She and her partner Lane Hall have been working collaboratively on art and creative activism projects for over 35 years. Her creative research falls into two major bodies of work: Eco Poetics and Artful Activism.
Eco Poetics projects present an associative reinterpretation of natural sciences, exploring the boundaries between the natural and the technological. Moline and Hall’s major projects include installations for the California Academy of Sciences, the Madison Museum of Contemporary Art, the Milwaukee Art Museum, the Brooklyn Museum of Art, Science Gallery at Trinity College, Dublin, the Miller Gallery at Carnegie Mellon University, the Block Museum at Northwestern University, and the Wisconsin Academy of Sciences, Arts and Letters. Their Eco Poetics videos have been shown in the UN Pavilion at the Shanghai World Expo in China, and in Berlin, Germany, at the Kolbe Museum and the Neuen Gesellschaft for Bildende Kunst.
In 2011, Moline and Hall co-founded the Overpass Light Brigade (OLB). In collaboration with Joe Brusky, they grew the project to be an international performative activist tactic, with multiple Light Brigades across the US and the globe. News publications such as The Guardian, The New York Times, Time, CNN, BBC, NBC, The New Yorker, The Progressive, Mother Jones, USA Today, Los Angeles Times, Seattle Times, Public Radio International, The Chronicle of Higher Education, as well as scores of local, regional, and alternative media outlets have published photo documentation of OLB’s actions. OLB’s actions have also appeared in the films Citizen Koch, Forward, Standing Rock: Take Me from the River, Say Her Name: The Life and Death of Sandra Bland, and Language Back, as well as the Be Visible publicity campaign for Planned Parenthood.
Lisa Moline was born and raised in Los Angeles. She received her BA degree in Studio Art from Smith College, Certificate for Special Advanced Studies in Printmaking from the Central School of Art and Design (now Central St. Martins College of Art) in London, and MFA in Printmaking from the University of Wisconsin-Madison. She began teaching at UWM in 1996 and joined the faculty in 2001. Her teaching focused on web and interaction design, typography and book arts.
Links
Recent & Selected Works
OLB Film, Documentary by Dusan Harminc/Stumptown Media; 6-minute documentary about the Overpass Light Brigade
Creative Works Published/Cited by Others
- Jobin-Leeds, Greg and AgitArte. When We Fight We Win, The New Press, New York, NY, 2016 (pp 40-41)
- Beautiful Trouble, a Toolbox for Revolution (website), Toolbox>Tactics>Light Brigade https://beautifultrouble.org/toolbox/tool/light-brigade
- Kuppers, Petra. Community Performance: An Introduction, 2nd edition, Routledge, Abingdon, UK and New York, NY, 2019 (pp 15, 132)
- Young, Phoebe SK. Camping Grounds: Public Nature in American Life from the Civil War to the Occupy Movement, Oxford University Press, 2021 (p 296)
- Stern, Nathaniel. Ecological Aesthetics, “Activist Ecologies: singular pluralities, in letters and light,” Dartmouth College Press, Hanover, NH, 2018 (pp 128-141, plates 19, 20, 21)
- Faure-Walker, James. Painting the Digital River, Prentice-Hall (now Pearson), New Jersey, 2006 (pp 261-263)
- Whale, George. Digital Printmaking, Blackwell Publishing, Oxford, UK, 2001 (p. 14)
- Wilson, Stephen. Information Arts: Intersections of Art, Science and Technology, MIT Press, 2002 (p 114)
- Spalter, Anne. The Computer in the Visual Arts, Addison Wesley (Pearson), Boston, MA, 1998, (pp. 104-107, 194-195)
- AIGA. 365: AIGA Year in Design, Promotional Design and Advertising, American Institute of Graphic Arts, Brooklyn, NY 2004 (p. 87)





