Union Cinema
Calendar of Events
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The 28th Annual Festival of Films in French
The Festival of Films in French returns this February with an array of contemporary and classic fiction, animation and documentary films that attend to their very form and explore notions of care, restoration and reparations, whether physical, familial, historical, environmental or symbolic. Filmed by familiar and new directors, the stories travel from Paris to Benin or the Niger Delta, Quebec to Provence, Haiti to the Congo/DRC, and are set in Mauritius, Tunisia, Iraq, France and California.
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Experimental Tuesdays presents: James N. Kienitz Wilkins
Experimental Tuesdays presents: James N. Kienitz Wilkins
Raised in Maine and currently based in New York City, where he studied at Cooper Union, Wilkins has carved out a body of moving image work that combines conceptual rigor, an unerring ability to locate the uncanny in the everyday, and a bone-dry wit. A downloadable PDF of a public hearing in Alleghany, New York; a mysterious videotape that becomes the center of a detective yarn; reflections on the history of the toxic Androscoggin River; or 35mm publicity stills scoured from movie studio press kits… in Wilkins’s able hands these things act as launching pads for freewheeling, rhizomatic meditations on the photographed image, representations of race, the history of Hollywood, and American life as lived under late capitalism. A curated selection of the work to date of an enormously original and utterly unclassifiable talent.
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Bushman
Bushman
In 1968, Peace Corps veteran David Schickele enlisted his friend Paul Eyam Nzie Okpokam to star in a light-hearted comedy about the adventures of a young Nigerian intellectual in San Francisco. Using a docufictional style reminiscent of Cassavetes' Shadows, the film observes the foibles of late 1960s African-American culture with an outsider's incisive eye. The result is a vibrant snapshot of the nation's racial politics, from interracial romance to cross-cultural misunderstandings and countercultural joy. The film morphs into a documentary when the director's voice abruptly intrudes to narrate its star’s enraging fate: Okpokam was accused of a crime he did not commit and was thrown in prison before being expelled from the country.
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Lost Boys, Stolen Trucks
Lost Boys, Stolen Trucks
Lost Boys, Stolen Trucks is a program of short films by Iowa filmmakers Philip Rabalais and Auden Lincoln-Vogel. Made between 2017 and 2024, these four films about the absurdity of boys trace an artistic collaboration between two filmmakers who continually steal each others’ ideas, whose themes and characters get lost, cropping up years later in the other’s films. Centering around trucks as objects of desire (and anxiety), as vehicles of escape (and destruction), these four films explore dynamics of male friendship (and enmity) through surreal and genre-bending forms.
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Double-Bill: “The Heartland” by Marquise Mays & “George Washington” by David Gordon Green
Double-Bill: “The Heartland” by Marquise Mays & “George Washington” by David Gordon Green
Don't miss this exciting double-bill featuring "The Heartland" a short documentary film by UWM Film Professor Marquise Mays & "George Washington" by David Gordon Green. While "The Heartland" follows three young Milwaukee residents as they confront and reconcile the unrequited …
The Heartland
The Heartland
Highlighting both the joys and trials of growing up Black in the Midwest, three young Milwaukee residents confront and reconcile the unrequited love between them and their city. Through outspoken interviews, they reveal the ways in which Milwaukee has shaped them and they in turn have shaped Milwaukee. Graced with poetry and luminous images, Marquise Mays's heartfelt documentary takes an at once loving and critical look at a city still riven by inequality-while offering an empowering vision for a brighter future.
George Washington
George Washington
Over the course of one hot summer, a group of children in the decaying rural South must confront a tangle of difficult choices. An ambitiously constructed, elegantly photographed meditation on adolescence, the first full-length film by director David Gordon Green features remarkable performances from an award-winning ensemble cast. George Washington is a startling and distinct work of contemporary American independent cinema.
2 events,
The Heartland
The Heartland
Highlighting both the joys and trials of growing up Black in the Midwest, three young Milwaukee residents confront and reconcile the unrequited love between them and their city. Through outspoken interviews, they reveal the ways in which Milwaukee has shaped them and they in turn have shaped Milwaukee. Graced with poetry and luminous images, Marquise Mays's heartfelt documentary takes an at once loving and critical look at a city still riven by inequality-while offering an empowering vision for a brighter future.
George Washington
George Washington
Over the course of one hot summer, a group of children in the decaying rural South must confront a tangle of difficult choices. An ambitiously constructed, elegantly photographed meditation on adolescence, the first full-length film by director David Gordon Green features remarkable performances from an award-winning ensemble cast. George Washington is a startling and distinct work of contemporary American independent cinema.
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Experimental Tuesdays presents: Beatrice Gibson
Experimental Tuesdays presents: Beatrice Gibson
Resolutely feminist in form and content, Beatrice Gibson’s films explore the personal and the political and draw on cult figures from experimental literature and poetry - from Kathy Acker to Gertrude Stein.
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Geek Week Film Screening: I Saw the TV Glow
Geek Week Film Screening: I Saw the TV Glow
I Saw the TV Glow is a chilling coming-of-age horror about two friends whose bond is tested when their favorite TV show mysteriously vanishes. As their obsession grows, the line between reality and the supernatural blurs, unleashing dark and unexpected …
I Saw The TV Glow
I Saw The TV Glow
A classmate introduces teenage Owen to a mysterious late-night TV show - a vision of a supernatural world beneath their own. In the pale glow of the television, Owen's view of reality begins to crack.
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The Strike
The Strike
Amidst the redwood trees on the California-Oregon border sits one of the most infamous prisons in US history. Pelican Bay is a labyrinthine construction of solid cement blocks – a supermax prison – opened in 1989 and designed specifically for mass-scale solitary confinement. For decades, it held men alone in tiny cells indefinitely. Then one day in 2013, 30,000 prisoners went on hunger strike.
The Strike weaves together, thread-by-thread, a half century of personal and criminal justice history into a single, compelling narrative around the drama of the 2013 hunger strike to end indefinite isolation.
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Nikah
Nikah
Dilber is 27, and her mother wants to quickly find a husband for her — especially now that her younger sister Rena is settling into newly married life. But it’s 2017, a time when Uyghur people are being arrested without people knowing why. And one of those detained is Rena’s husband, questioned and held by the local district committee.
Subtle and carefully observed, Nikah is a powerful mid-length feature that captures the uncertainty of a young woman at a personal crossroads, while an immense tragedy of internment unfolds. As tensions rise and fears mount, Dilber’s regular FaceTime chats with a friend in Paris convince her that her best hope lies in marrying a young Uyghur man in France. But will that be enough?
All We Imagine As Light
All We Imagine As Light
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut.
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Nikah
Nikah
Dilber is 27, and her mother wants to quickly find a husband for her — especially now that her younger sister Rena is settling into newly married life. But it’s 2017, a time when Uyghur people are being arrested without people knowing why. And one of those detained is Rena’s husband, questioned and held by the local district committee.
Subtle and carefully observed, Nikah is a powerful mid-length feature that captures the uncertainty of a young woman at a personal crossroads, while an immense tragedy of internment unfolds. As tensions rise and fears mount, Dilber’s regular FaceTime chats with a friend in Paris convince her that her best hope lies in marrying a young Uyghur man in France. But will that be enough?
All We Imagine As Light
All We Imagine As Light
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut.
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Experimental Tuesdays presents: From the Archives
Experimental Tuesdays presents: From the Archives
For each program, the curator is invited to program a selection of films around a theme of their choosing from the remarkable Cinema Arts Archive collection, which contains over 400 essential works from the history of experimental cinema. Curated by MFA candidate Chae Yu.
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Rainbow Warrior
Rainbow Warrior
The film chronicles the police investigation to discover what happened to the ship and who was responsible.
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Nowhere
Nowhere
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover, and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
The Doom Generation
The Doom Generation
Teens Jordan White and Amy Blue pick up a handsome drifter named Xavier Red. Red tends to create combustible situations - for example, a trip to a convenience store leads to a clerk getting decapitated. Afterward, the trio voyages through small-town America, where Amy is accosted by various men claiming to be her lovers, and she and Jordan find themselves drawn to Xavier. But can any amount of sex lift the sense of doom hanging over them?
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The Doom Generation
The Doom Generation
Teens Jordan White and Amy Blue pick up a handsome drifter named Xavier Red. Red tends to create combustible situations - for example, a trip to a convenience store leads to a clerk getting decapitated. Afterward, the trio voyages through small-town America, where Amy is accosted by various men claiming to be her lovers, and she and Jordan find themselves drawn to Xavier. But can any amount of sex lift the sense of doom hanging over them?
Nowhere
Nowhere
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover, and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
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Experimental Tuesdays presents: From the Archives
Experimental Tuesdays presents: From the Archives
From the Archives is an ongoing series curated by MFA candidates in the UWM Film Department. For each program, the curator is invited to program a selection of films around a theme of their choosing from the remarkable Cinema Arts Archive collection, which contains over 400 essential works from the history of experimental cinema. Curated by MFA candidate Matt Feldman.
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Gospel of Revolution
Gospel of Revolution
Through powerful archival footage and contemporary interviews, the film shows how these radical Catholics fought injustice alongside peasants, workers, and Indigenous people, refusing to accept poverty and oppression.
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Soundtrack To a Coup d’Etat
Soundtrack To a Coup d’Etat
United Nations, 1960: the Global South ignites a political earthquake, jazz musicians Abbey Lincoln and Max Roach crash the Security Council, Nikita Khrushchev bangs his shoe, and the U.S. State Department swings into action, sending jazz ambassador Louis Armstrong to Congo to deflect attention from the CIA-backed coup. Director Johan Grimonprez captures the moment when African politics and American jazz collided in this magnificent essay film, a riveting historical rollercoaster that illuminates the political machinations behind the 1961 assassination of Congo’s leader Patrice Lumumba. Richly illustrated by eyewitness accounts, official government memos, testimonies from mercenaries and CIA operatives, speeches from Lumumba himself, and a veritable canon of jazz icons, Soundtrack to a Coup d’Etat interrogates colonial history to tell an urgent and timely story of precedent that resonates more than ever in today’s geopolitical climate.
2 events,
The Decay of Fiction
The Decay of Fiction
The walls of the Ambassador are cracked and peeling, the lawns are brown, and mushrooms grow in the damp carpets of the Cocoanut Grove. The pool is empty, and the ballroom where Bobby Kennedy died is shuttered and locked. A tall, elegant blonde stands transparently on the terrace of her bungalow, smoking and watching the sunrise. Voices and tinkles waft across the lawn. A contingent of vaguely sinister men arrive and ask for Jack. Jack is expecting trouble, but not this kind of trouble. Louise, a guest, replays a nightmare in which she drowns Pauline so that she can marry Dean. The sun sets and rises again.
Nightshift
Nightshift
Over the course of a single nightshift, a West London hotel clerk plays mute witness to a nocturnal constellation of guests ranging from punk rockers and scenester magicians to seemingly staid businessmen and old-world gentry. As the hours march deeper into night and the varied clientele depart the waking world, the hotel transforms into an otherworldly, liminal space swaying between the everyday and the enchanting.
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Nightshift
Nightshift
Over the course of a single nightshift, a West London hotel clerk plays mute witness to a nocturnal constellation of guests ranging from punk rockers and scenester magicians to seemingly staid businessmen and old-world gentry. As the hours march deeper into night and the varied clientele depart the waking world, the hotel transforms into an otherworldly, liminal space swaying between the everyday and the enchanting.
The Decay of Fiction
The Decay of Fiction
The walls of the Ambassador are cracked and peeling, the lawns are brown, and mushrooms grow in the damp carpets of the Cocoanut Grove. The pool is empty, and the ballroom where Bobby Kennedy died is shuttered and locked. A tall, elegant blonde stands transparently on the terrace of her bungalow, smoking and watching the sunrise. Voices and tinkles waft across the lawn. A contingent of vaguely sinister men arrive and ask for Jack. Jack is expecting trouble, but not this kind of trouble. Louise, a guest, replays a nightmare in which she drowns Pauline so that she can marry Dean. The sun sets and rises again.
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Experimental Tuesdays and Vernacular Film Zine Journal present: Calum Walter
Experimental Tuesdays and Vernacular Film Zine Journal present: Calum Walter
Calum Walter is an artist working in sound and moving image. His recent work has focused on human and machine error, collective anxieties, and the cultural moment shaped by emerging and consumer technologies. His films have been screened widely at film festivals including the Berlinale, Sundance, TIFF, the New York Film Festival, and IFF Rotterdam International Film Festival. Filmmaker in person.
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Hale County This Morning, This Evening
Hale County This Morning, This Evening
An inspired and intimate portrait of a place and its people, Hale County This Morning, This Evening looks at the lives of Daniel Collins and Quincy Bryant, two young African American men from rural Hale County, Alabama, over the course of five years. Collins attends college in search of opportunity while Bryant becomes a father to an energetic son in an open-ended, poetic form that privileges the patiently observed interstices of their lives. The audience is invited to experience the mundane and monumental, birth and death, the quotidian and the sublime. These moments combine to communicate the region’s deep culture and provide glimpses of the complex ways the African American community’s collective image is integrated into America’s visual imagination.
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The 46th Annual Latin American Film Series
UWM’s Latin American Film Series returns this April for its 46th year, showcasing recent feature-length films from across Latin America and the Caribbean. This year’s lineup includes a variety of dramatic, comedic, and documentary titles, with stories set in urban capitals (Lima, La Paz), rural communities (Mexico’s Michoacán, Colombia’s Caribbean coast), and places in between. Join us to explore society, history, and the human experience.