If you are looking for Planetarium events, please visit their events calendar .
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Accompanying a course on American Folk Art taught by the UWM Art History Department, What the Folk? explores the terminology and history that have shaped understandings of folk art, self-taught art, Americana, outsider art, and visionary art. It asks which artists and …
Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki …
Monday–Thursday, 10:00am–4:00pm
The exhibit features pieces by well-known artists such as Dale Chihuly, Andy Warhol, and Alexander Calder. Lesser-known - but no less significant - artists including Max Arthur Cohn, Karen Fitzgerald, and Carlos Hermosilla Alvarez are also presented. Art Works highlights the key players that make the Mathis Art Gallery a rich resource for all.
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …