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Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
Emile H. Mathis Art Gallery 3203 North Downer Avenue, MilwaukeeWeek of Events
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
Open Parameters – late nineteenth and early twentieth century’s Chinese calligraphy and painting
This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …
The French Table
The French Table
Come speak French! Practice conversational skills! Meet other students! All levels welcome! The French Table occurs most Wednesdays and Thursdays during the Spring 2023 semester. Click the Event Series at the top of the page to see all of the …