C21 is pleased to announce that the project selected for our inaugural graduate-led public humanities program is Isabella Fincher’s “En-Vision: Toward a Queer Ethics of Slow Care.”

“En-Vision” explores creative practices and embodied experiences of slow care for individuals living with chronic illness and impairments. This initiative hosted an embodied writing workshop blending mindfulness and creative writing to explore themes of slowing down, radical self-care, critical disability studies, and fostering networks of mutual support and caregiving in April 2026. Workshop participants and the broader campus community were invited to submit artwork and creative writing pieces to a collaborative community zine project on a queer ethics of slow care.

En-Vision: Toward A Queer Ethics of Slow Care Zine Pickup

The submission deadline for the En-Vision: Toward A Queer Ethics of Slow Care Zine has closed. If you would like to receive a copy of the En-Vision Zine, please fill out the form below!

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*Physical copies of the zine are available for pickup only at 929 Curtin Hall, 3243 North Downer Ave, Milwaukee, WI 53211

En-Vision Embodied Writing Workshop

Hosted by Queer Zine Archive Project (QZAP) co-founder Milo Miller, this workshop blended mindfulness and creative writing to explore themes of slowing down, radical self-care, critical disability studies, and fostering networks of mutual support and caregiving. This workshop was held on April 7th, 2026.


About Isabella Fincher

Isabella Fincher is a master’s degree candidate in Women’s and Gender Studies at the University of Wisconsin-Milwaukee. She graduated summa cum laude from the University of Colorado Boulder with bachelor’s degrees in journalism and music performance. Her research interests include transnational feminism, queer theory, popular music, speculative fiction, and Asian diasporic studies. Her work has appeared in several publications, including the Journal of Popular Music Studies and Journal of Communication Inquiry.

As a feminist scholar, she has consulted for the Indiana University Collection’s exhibit She Shreds: From Sister Rosetta to St. Vincent about women in guitar history and been featured in Guitar World, Loud Women, and shesaid.so.