Wells, K. L. H. Uncanny Revivals: Designing an American Identity. Yale University Press, 2026.
Johung, Jennifer N. "Cellular Performance and the Plastic Agency of Cerebral Organoids." Revivification. Mess Books: January 2026.
Wells, K. L. H. "Publishing the Index of American Design." Source: Notes in the History of Art 44, no. 3 (Spring 2025): 152-162.
Johung, Jennifer N. "Animating: Material Agency, Performance, and Intelligence." e-flux. November 2024.
Wells, K. L. H. "Looming Large: Presentations of textile art in Washington, DC; New York; and Chicago." Arforum 63, no. 1 (September 2024): 138-145.
Tiffany, Tanya J.“Intellect, Piety, and Religious Experience: Recent Perspectives on El Greco’s Sacred Art in Post-Tridentine Spain” Ashgate Research Companion to El GrecoEd. Schrader, Jeffrey. Ashgate. ().
Velázquez Re-Examined: Theory, History, Poetry, and Theatre [co-edited] with Giles Knox], prospectus for edited volume accepted by Brepols PublishersEd. Tiffany, Tanya J., and Knox, Giles. Brepols Publishers. .
Wells, K. L. H. "Indexing Whiteness to American Design." American Art 36, no. 3 (Fall 2022): 10-14.
Wells, K. L. H. "Reading Feminism in Modern Tapestry's Archive." Archives of American Art Journal 60, no. 1 (Spring 2021): 24-43.
Wells, K. L. H. Weaving Modernism: Postwar Tapestry between Paris and New York. Yale University Press, 2019.
Johung, Jennifer N. Vital Forms: Biological Art, Architecture, and the Dependencies of Life Minneapolis, MN: University of Minnesota Press. 2019.
Johung, Jennifer N. "Pluripotent Selves and the Performance of Stem Cells." PUBLIC Journal 59 (2019).
Wells, K. L. H. “Laboring Under Globalization: Tapestries by Contemporary Artists” Art Journal 77, no. 4 (Winter 2018): 26-45.
Leson, Richard A.“‘Partout la figure du lion’: Thomas of Marle and the Enduring Legacy of the Coucy Donjon Tympanum” Speculum93.1 (2018): 27-71.
Johung, Jennifer N.“Demonstrable Plasticity.” The Routledge Handbook to Biology in Art and Architecture. Routledge, 2017.
Johung, Jennifer N.“ BioArt” Macmillan Interdisciplinary Handbook on Gender + Nature Macmillan. (2016).
Johung, Jennifer N. “Speculative Life: Art, Synthetic Biology and Blueprints for the Unknown.” Theory, Culture, and Society 33.3 (2016): 175–188.
Tiffany, Tanya J.“"Little Idols": Royal Children and the Infant Jesus in the Devotional Practice of Sor Margarita de la Cruz (1567-1633)” The Early Modern Child in Art and HistoryLondon: Pickering & Chatto. (2015).
Wells, K. L. H. “Rockefeller's Guernica and the Collection of Modern Copies” Journal of the History of Collections 27, no. 2 (2015): 255-277.
Johung, Jennifer N.“Choreographic Arrhythmias.” Leonardo 48.2 (2015).
Leson, Richard A.“A Constellation of Crusade: The Resafa Heraldry Cup and the Aspirations of Raoul I, Lord of Coucy” The Crusades and Visual CultureEd. Lapina, Elizabeth. Ashgate. (2015): 75-90.
Leson, Richard A.“Reconstructing the Tomb of Robert of Cassel in Warneton” Peregrinations: Journal of Medieval Art and ArchitectureIV.4 (Autumn 2014) Ed. Blick, Sarah. (2015): 128-151.
Leson, Richard A.“The Pathways of Salvation: Spatiality and Devotion in the Bute Psalter” Gesta53.2 (2014): 129-154.
Wells, K. L. H. “Serpentine Sideboards, Hogarth’s Analysis, and the Beautiful Self” Eighteenth-Century Studies 46, no. 3 (Spring 2013): 399-413.
Johung, Jennifer N., and Sen, Arijit H, eds. Landscapes of Mobility: Culture, Politics, and Placemaking. London: Ashgate Press. 2013.
Tiffany, Tanya J.Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century SevillePennsylvania State University Press. 2012.
Johung, Jennifer N. Replacing Home: From Primordial Hut to Digital Network in Contemporary Art. Minnesota, MN: University of Minnesota. 2011.
Leson, Richard A.“Chivalry and Alterity: Saladin and The Remembrance of Crusade in a Walters Histoire d’Outremer” Journal of the Walters Art Museum68. (2011): 87-96.
Leson, Richard A.“Heraldry and Identity in the Psalter-Hours of Jeanne of Flanders (Manchester, John Rylands Library, Ms. lat. 117)” Studies in Iconography32. (2011): 155-98.
Tiffany, Tanya J.Diego Velázquez: Madre Jerónima de la FuenteSacred Spain: Art and Belief in the Spanish World, (exh. cat., Indianapolis Museum of Art, distributed by Yale University Press, 2009). 2009: p. 292
Tiffany, Tanya J.“Light, Darkness, and African Salvation: Velázquez’s Supper at Emmaus” Art History31.1 (2008): 33-56.
Tiffany, Tanya J.Velázquez’s Bodegones and the Art of Emulation18. 2006: 79-95
Tiffany, Tanya J.Visualizing Devotion in Early Modern Seville: Velázquez’s Christ in the House of Martha and Mary32.2 2005.