Photo of Kay Wells

Kay Wells

  • Associate Professor, American Art and Architecture, Art History

Education

  • PhD, History of Art, University of Southern California
  • MA, History of Art, University of Wisconsin-Madison
  • BA, History of Art, Barnard College, Columbia University

Teaching Schedule

Course Num Title Meets
ARTHIST 102-401 Renaissance to Modern Art and Architecture TR 11:30am-12:20pm
ARTHIST 102-601 Renaissance to Modern Art and Architecture T 10:30am-11:20am
ARTHIST 102-602 Renaissance to Modern Art and Architecture T 12:30pm-1:20pm
ARTHIST 102-603 Renaissance to Modern Art and Architecture R 10:30am-11:20am
ARTHIST 102-604 Renaissance to Modern Art and Architecture R 12:30pm-1:20pm
ARTHIST 353-201 American Art: Colonial Period - 1870 No Meeting Pattern
ARTHIST 353G-201 American Art: Colonial Period - 1870 No Meeting Pattern

Courses Taught

  • ARTHIST 102 - Renaissance to Modern Art and Architecture
  • ARTHIST 250 - Introduction to American Art
  • ARTHIST 368 - History of Modern Design
  • ARTHIST 353 - American Art: Colonial Period-1870
  • ARTHIST 354 - American Art: 1870 - Present
  • ARTHIST 355 - American Folk Art
  • ARTHIST 356 - American Architecture
  • ARTHIST 462 - Frank Lloyd Wright
  • ARTHIST 501 - Colloquium in Method and Theory
  • ARTHIST 750 - Revival! Visualizing the American Past
  • ARTHIST 750 - Japonisme—Japan and America in Artistic Encounter

Research Interests

  • American art and architecture
  • Modern design, craft, and decorative arts
  • Material and visual culture studies
  • Politics of artistic revivals

 

 

Books

Wells, K. L. H. Uncanny Revivals: Designing an American IdentityYale University Press, 2026. 
Wells, K. L. H. Weaving Modernism: Postwar Tapestry between Paris and New York. Yale University Press, 2019. 

Selected Publications

Wells, K. L. H. "Publishing the Index of American Design." Source: Notes in the History of Art 44, no. 3 (Spring 2025): 152-162.
Wells, K. L. H. "Looming Large: Presentations of textile art in Washington, DC; New York; and Chicago." Arforum 63, no. 1 (September 2024): 138-145.
Wells, K. L. H. "Indexing Whiteness to American Design." American Art 36, no. 3 (Fall 2022): 10-14.
Wells, K. L. H. "Reading Feminism in Modern Tapestry's Archive." Archives of American Art Journal 60, no. 1 (Spring 2021): 24-43.
Wells, K. L. H. “Laboring Under Globalization: Tapestries by Contemporary ArtistsArt Journal 77, no. 4 (Winter 2018): 26-45.
Wells, K. L. H. “Serpentine Sideboards, Hogarth’s Analysis, and the Beautiful SelfEighteenth-Century Studies 46, no. 3 (Spring 2013): 399-413.

UWM Land Acknowledgement: We acknowledge in Milwaukee that we are on traditional Potawatomi, Ho-Chunk and Menominee homeland along the southwest shores of Michigami, North America’s largest system of freshwater lakes, where the Milwaukee, Menominee and Kinnickinnic rivers meet and the people of Wisconsin’s sovereign Anishinaabe, Ho-Chunk, Menominee, Oneida and Mohican nations remain present.   |   To learn more, visit the Electa Quinney Institute website.