Examples of work completed by faculty fellows are on display in an exhibition.

The University of Wisconsin-Milwaukee School of Architecture & Urban Planning (SARUP) offers two-year Fitzhugh Scott Fellowships in applied research specifically related to contemporary architectural practice.

Supported by the Fitzhugh Scott Fund in Design Excellence, the fellowships are geared toward focusing and expanding design research, energizing the architectural curriculum with current discourse, as well as confirming an academic career path for candidates in the formative stage of their professional lives.

Innovative and emerging designers, architecture practitioners and scholars are encouraged to conduct design research and to participate in the SARUP community through the teaching of studios and seminars.

Applications for the Fitzhugh Scott Fellowship are now open.

Fitzhugh Scott Fellows

What started in 2013 as a single one-year fellow has now expanded to two overlapping two-year fellowships welcoming radically diverse pedagogy and experimental research from many faculty participants over the past decade.

Fog lingers over a series of pipes and railings while a person wearing a large brimmed hat peeks into view.
Malcolm Rio
2025-2027
Malcolm Rio is a scholar, educator and designer whose work explores the intersections of architecture, race and visual culture. They are a doctoral candidate in architectural history and theory at Columbia University, where their dissertation examines Haiti’s architectural contributions to world’s fairs and their role in shaping national and racial identities. Rio’s research situates these contributions within the broader historiography of Haitian tourism, postwar architecture, and Black modernity.
Various objects with nature-inspired shapes and shades of brown and orange.
Iris Xiaoxue Ma
2024-2026
Iris Xiaoxue Ma works with foraged local clay in combination with recycled organic aggregates to produce composite ceramic materials. Through the mis-use of analog and digital ceramic tools, Ma’s practice focuses on the production of ambiguous objects that question assumptions of materiality, process and craft.
Dancers are seen performing under a large rounded structure that emerges from a dimly lit room.
Andy Lee
2023-2024
Viewsheds and Memory Loss | As infrastructures simultaneously crumble upon and exacerbate the chaotic grounds of ecological change, how might the American landscape be reconceived? Is perhaps re-mediation a key to the remediation of our landscapes?
Iridescent and light blue fabric are seamed together.
Sam Schuermann
2022-2023
A Room in a Room | Techniques like stitching and graphics metamorphose textiles into dimensional frameworks, enhancing geometries with functional and aesthetic attributes. This work redefines sewing as a skilled pursuit, reflecting architectural design principles such as color, layering, and assembly.
An exhibition of structures, each unique in shape, and constructed from wood.
Radu Remus Macovei
2022-2023
Scaffolds, Drapes, and Battens | This research investigates perishable wooden constructions that demonstrate different recognizable transformations. Each transformation both effects and is enabled by an architectural element: drape, scaffold, and batten.
Shades of purple light shine through a grid with various 3D printed models resting on top of clear surfaces.
Debbie Chen
2021-2022
Drawdown: Play to Enter | An interactive exhibition and collaborative game designed to simulate the joys of negotiation and collective action required to work through climate strategy and resource management. Players are encouraged to embrace a simultaneous sense of urgency and euphoria as they play together to cool the planet.
A brightly colored illustration of people interacting with structures
Sarah Aziz
2020-2021
Fellow-sheep & Cattle-lysts | This symposia with SARUP fellows Sarah Aziz, Debbie Chen, and Lindsey Krug was a panel on wayward wayfinding featuring innovative a simulation of an architectural fellowship by a flock of lost fellows and some woolly interlocutors.
Various products, all in bright colors, are strewn about on the ground and in rows alongside the exterior of a store.
Lindsey Krug
2020-2021
Dollar Gentle Cycle | In collaboration with Sarah Aziz, Dollar gently cycles SARUP resources through Dollar General Corporation in a vacant retail space on Milwaukee’s Historic Mitchell Street to understand the extent to which both institutions push resources back into the communities they purport to serve.
An individual wrapped in a light fabric speaks into a microphone with an open book nearby
José Ibarra
2019-2020
End Times: New Architecture of Urban Crisis | Architecture in the aftermath of planetary collapse, introduces “geoempathy” – a design methodology grounded in geological processes and empathy. By framing architecture as adaptive and interconnected with both human and non-human actors, this work challenges static notions of form.
Geometric shapes of vibrant colors are painted on the walls in a corner.
Michael Jefferson
2019-2020
False Walls | Tied up between the computational logics of artificial intelligence and the conventional tectonic arrangements of stud framing, False Walls was an exhibition of fake walls built with real materials. One part exhaustive and one part interpretive, the project featured the production of more than 2,000 typical walls, one machine learning model, infinite artificial walls, and four False Walls.
Transluscent materials are used in a model of various structures.
Antonio Furgiuele
2015-2017
Invisibility in the Information Age | Within recent years the widespread collection and interconnectivity of data from cities, domestic spaces and bodies has significantly affected design culture and discourse. To address the need for increased privacy, anonymity and security within the information age, new social knowledge has emerged.
Slim structures emerge from a field of wild flowers and prairie plants.
Tao Sule DuFour
2014-2015
Fabricating Wildness | This research aims to rehabilitate a theme characteristic of 19C American conceptions of nature: wilderness. Through this historically complex notion a defining concern is that of the relationship between architecture, landscape, the city, and the ecological environment in general.
Many arrows pointing in slightly different directions overlay a colorful background of blues, greens and organges.
Filip Tejchman
2013-2014
Thermal Form | Thermal Form represents research into the reciprocity between thermodynamic flows and the configuration/geometry of architectural surfaces. By reconceiving energy as a material intelligence and calibrating forms, we can reduce demand placed on HVAC systems thereby lowering the energy use of a building.

Fitzhugh Scott Chair in Design Excellence

Will Bruder headshot
Will Bruder, FAIA
2012-2013 Fitzhugh Scott Chair
Will Bruder’s work has celebrated the craft of building in a manner not typical of contemporary architecture.
Biography
Neil Frankel
Neil Frankel
1999-2012 Fitzhugh Scott Chair
Award-winning Chicago architect and furniture designer Neil Frankel is known as a true master of clean design.
Biography
An all-white structure sits in a gallery with several people looking at it.

MASTERcrit

For three consecutive years, the Fitzhugh Scott Fund in Design Excellence supported MASTERcrit, an initiative that invited internationally recognized architects to work with select graduate students through lectures, design briefs, charrettes, and critiques. Visiting MASTERcritics challenged students with focused design inquiries and sustained dialogue. The MASTERcritics were:

  • MOS Architects (2015)
  • Andrew Zago (2016)
  • Jürgen Mayer H. (2017)

The series and its outcomes are documented in MASTERcrit, a publication that captures the briefs, projects, and conversations generated through the program.