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There’s something about the popular entertainment of the 1880s-1930s that draws people to fool around with creative ways of making it contemporary.

An outtake from the play Indecent

From its beginnings, New York’s Yiddish theatre intersected with the mainstream English-language stage.

A Twitter summary of its production history would read something like this: “admired, translated, parodied, panned, banned, prosecuted, withdrawn, forgotten, revived, celebrated.”

Because of the wrong interpretation of my play, *The God of Vengeance*, now running at the Apollo Theatre, I wish to make the following statement…

The New Yiddish Rep’s production is no period play. The play itself feels remarkably modern, even 110 years later, and the New Yiddish Rep has given *Got fun nekome* a production to match.