{"id":18,"date":"2021-12-06T12:29:50","date_gmt":"2021-12-06T18:29:50","guid":{"rendered":"https:\/\/uwm.edu\/yiddish-stage\/?p=18"},"modified":"2023-06-16T09:41:03","modified_gmt":"2023-06-16T14:41:03","slug":"permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman","status":"publish","type":"post","link":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/","title":{"rendered":"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman"},"content":{"rendered":"\n

Tsipe (Tsipoyre) Abelman trained as a factory seamstress before performing in popular musical works on the Yiddish stage. In early twentieth-century America, she performed in Yiddish vaudeville with her husband, the famous singer-actor Beni Abelman (ca. 1865-July 13, 1929). But, unable to find work as an actor on protectionist, unionized stages in America, Tsipe Abelman had to return to Poland. In 1908, she participated in a production of <\/em>Jacob Gordin<\/em><\/a>\u2019s <\/em>The Brothers Luria<\/a>, when the theatre critic <\/em>Noyekh Prilutski<\/em><\/a> wrote of her acting: \u201cMrs. Abelman (Sore-Dvoyre)\u2026always performs with her husband and is very consistent, and this is a rare occurrence on the Yiddish stage.\u201d1<\/a><\/sup> When the Abelmans could not find work in Warsaw, they performed concerts and skits in shtetls and in Hebrew events for <\/em>Keren ha-Yesod<\/a>. Abelman was deeply devoted to her husband and often demanded that he be honored as a pillar of the Yiddish theatre. She was killed by the Nazis in Poland.2<\/a><\/sup><\/em><\/p>\n\n\n\n

While in America, Tsipe Abelman published an article in the <\/em>Forverts<\/a> (Jewish Daily Forward), \u201cPermit new actors?\u201d (May 11, 1905) where she protests the exclusivity of the <\/em>Hebrew Actors\u2019 Union<\/em><\/a>, which she refers to as the Yiddish Actors\u2019 Union, but suggests it might be called a \u201ctrust\u201d because of its notoriously monopolistic tendencies. Abelman describes the Hebrew Actors\u2019 Union in meaty revolutionary language as \u201cdespotic\u201d and ruled by its own brand of tsarism.<\/em><\/p>\n\n\n\n

This entry is part of the DYTP\u2019s<\/em> Women on the Yiddish Stage: Primary Sources<\/a> project<\/em>.<\/p>\n\n\n\n

\"...\"
Hebrew Actors\u2019 Union poster, 1899. Source: New York Yiddish theater placards, Yiddish theater collection, Dorot Jewish Division, New York Public Library.<\/figcaption><\/figure>\n\n\n\n

\u201cPermit New Actors?\u201d
Originally published as Mrs. Abelman, \u201cLozt men tsu naye aktyorn?\u201d Forverts<\/em>, May 11, 1905, 5.
Translated by Anonymous.<\/p>\n\n\n\n

Honored Mr. Editor:<\/p>\n\n\n\n

I have been waiting for an opportunity for a very long time to express my opinion, or rather my protest, against the Hebrew Actors\u2019 Union, which should certainly be called \u201cthe Hebrew Actors\u2019 Trust,\u201d and I am very glad that the Forverts<\/em> was finally the first to have the \u201cgall\u201d to open its columns to this serious and simultaneously very important question: \u201cDoes the Yiddish Actors\u2019 Union let in new talent?\u201d<\/p>\n\n\n\n

I say \u201cgall\u201d because not all newspapers would bother with such \u201cnonsense.\u201d<\/p>\n\n\n\n

Their rule is, we\u2019re better off not talking about it.<\/p>\n\n\n\n

But let\u2019s get to the point. The actors have united and founded a union. It isn\u2019t even suitable for art to be restricted\u2014for this we will forgive them\u2014but we would have to be blind and foolish not to see what\u2019s happening in said union.<\/p>\n\n\n\n

Don\u2019t forget, dear reader, that this association of actors is built upon the power of poor workers, and what makes them better than any other union on the East Side? And yet, look at how it takes advantage of the power it has received from the other workers.<\/p>\n\n\n\n

But all must come to an end. The pitcher will only hold up until its handle breaks off. The public has kept silent for a long time, but now it won\u2019t be silent anymore. What does that mean? A group of actors of the lesser sort has been formed of actors of the lesser sort, because the stars don\u2019t belong to the union, and the managers neither, of course, and they have put a lock on art. The question is, though, what gives them the right to control the Yiddish stage? What rights have they to monopolize the stage as far as closing the doors to all who want to be able to accomplish something on it?<\/p>\n\n\n\n

Who are they, these so-called critics, who judge the \u201ctests\u201d of who performs well and who doesn\u2019t? It is simply a childish game. Let\u2019s see how those \u201ctests\u201d take place.<\/p>\n\n\n\n

The candidate is ordered to put on makeup and demonstrate jumping or dancing and doing all kinds of grueling work.<\/del><\/p>\n\n\n\n

And the holy experts nearly split their sides with laughter. Now, dear reader, imagine how much courage and energy the candidate needs to show his talent in front of the owners of the art. If the Yiddish actors really want, as they say, nothing but good forces on the Yiddish stage, they should themselves learn to act first, or they should declare an edict that nobody has any right to perform on the stage until they bring an attestation from the drama school where they graduated.<\/p>\n\n\n\n

I\u2019m asking you, honorable theatre-goers, isn\u2019t it laughable that a bunch of actors has united in a trust not to let in any new talent, be they even better than them until\u2026 they all die.<\/p>\n\n\n\n

And their demands? The 100 dollars, and now, proof that you have performed for six months in the provinces. Go ask them if they have shown such official documents to anyone. Quite simply, the candidate is confronted with so many difficulties he can do naught but spit on the whole union and their demands altogether.<\/p>\n\n\n

\n
\"...\"
Tsipe (Tsipoyre) Abelman<\/figcaption><\/figure>\n<\/div>\n\n\n

Indeed, it\u2019s high time the honorable public understood and asked the actors\u2019 trust for an explanation of what they mean with the kind of tsarism that reigns among them.<\/p>\n\n\n\n

The American stage, as low as it is, devotes an evening to new talents\u2014they\u2019re given the opportunity to show their talent and the public is the judge.<\/p>\n\n\n\n

On the East Side, there are many talented people without any hope of ever entering the actors\u2019 union.<\/p>\n\n\n\n

The union and its actions compel them to await the old actors\u2019 deaths, when they will perhaps have a chance to enter.<\/p>\n\n\n\n

Open the doors! Abolish the despotic demands, give the new talent an opportunity to audition in front of an audience! This must be the cry of all the theatre-goers.<\/p>\n\n\n\n

Respectfully,<\/p>\n\n\n\n

Mrs. Abelman.<\/p>\n\n\n\n

\n\n\n\n

Notes<\/h2>\n\n\n\n
    \n
  1. Zalmen Zylbercweig, \u201cAbelman, Beni (Borekh-Moyshe), Leksikon fun yidishn teater<\/em>, vol. 6 (Mexico City: Elisheve, 1969), 4855\u201369.<\/li>\n\n\n\n
  2. Noyekh Prilutski, \u200eYidish teater, <\/em>vol. 1 (Bialystok, 1921), 145\u20136.<\/li>\n\n\n\n
  3. Zalmen Zylbercweig, \u201cAbelman, Tsipe (Tsipoyre),\u201d Leksikon fun yidishn teater<\/em>, vol. 5 (Mexico City: Elisheve, 1967), 4781.<\/li>\n<\/ol>\n\n\n\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Tsipe (Tsipoyre) Abelman trained as a factory seamstress before performing in popular musical works on the Yiddish stage. <\/p>\n","protected":false},"author":32,"featured_media":23,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"categories":[47,41,17],"tags":[],"class_list":["post-18","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1918-1945","category-women-in-yiddish-theatre","category-writers"],"yoast_head":"\n\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman - Digital Yiddish Theatre Project<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman\" \/>\n<meta property=\"og:description\" content=\"Tsipe (Tsipoyre) Abelman trained as a factory seamstress before performing in popular musical works on the Yiddish stage.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/\" \/>\n<meta property=\"og:site_name\" content=\"Digital Yiddish Theatre Project\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-06T18:29:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-16T14:41:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/uwm.edu\/yiddish-stage\/wp-content\/uploads\/sites\/562\/2021\/12\/Tsipi-Abelman.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"2385\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"streich@uwm.edu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"streich@uwm.edu\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/\"},\"author\":{\"name\":\"streich@uwm.edu\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/#\\\/schema\\\/person\\\/acb308ee9146d2d003cc0dfb2a5f08f9\"},\"headline\":\"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman\",\"datePublished\":\"2021-12-06T18:29:50+00:00\",\"dateModified\":\"2023-06-16T14:41:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/\"},\"wordCount\":1020,\"image\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/wp-content\\\/uploads\\\/sites\\\/562\\\/2021\\\/12\\\/Tsipi-Abelman.jpeg\",\"articleSection\":[\"1918-1945\",\"Women in Yiddish Theatre\",\"Writers\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/\",\"url\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/\",\"name\":\"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman - Digital Yiddish Theatre Project\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/wp-content\\\/uploads\\\/sites\\\/562\\\/2021\\\/12\\\/Tsipi-Abelman.jpeg\",\"datePublished\":\"2021-12-06T18:29:50+00:00\",\"dateModified\":\"2023-06-16T14:41:03+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/#\\\/schema\\\/person\\\/acb308ee9146d2d003cc0dfb2a5f08f9\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#primaryimage\",\"url\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/wp-content\\\/uploads\\\/sites\\\/562\\\/2021\\\/12\\\/Tsipi-Abelman.jpeg\",\"contentUrl\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/wp-content\\\/uploads\\\/sites\\\/562\\\/2021\\\/12\\\/Tsipi-Abelman.jpeg\",\"width\":1800,\"height\":2385},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/#website\",\"url\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/\",\"name\":\"Digital Yiddish Theatre Project\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/#\\\/schema\\\/person\\\/acb308ee9146d2d003cc0dfb2a5f08f9\",\"name\":\"streich@uwm.edu\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e399a19731b1091c871f2856bb4a1f9b8a25f546316420cdffcf604a3babdcea?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e399a19731b1091c871f2856bb4a1f9b8a25f546316420cdffcf604a3babdcea?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e399a19731b1091c871f2856bb4a1f9b8a25f546316420cdffcf604a3babdcea?s=96&d=mm&r=g\",\"caption\":\"streich@uwm.edu\"},\"url\":\"https:\\\/\\\/uwm.edu\\\/yiddish-stage\\\/author\\\/streichuwm-edu\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman - Digital Yiddish Theatre Project","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/","og_locale":"en_US","og_type":"article","og_title":"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman","og_description":"Tsipe (Tsipoyre) Abelman trained as a factory seamstress before performing in popular musical works on the Yiddish stage.","og_url":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/","og_site_name":"Digital Yiddish Theatre Project","article_published_time":"2021-12-06T18:29:50+00:00","article_modified_time":"2023-06-16T14:41:03+00:00","og_image":[{"width":1800,"height":2385,"url":"https:\/\/uwm.edu\/yiddish-stage\/wp-content\/uploads\/sites\/562\/2021\/12\/Tsipi-Abelman.jpeg","type":"image\/jpeg"}],"author":"streich@uwm.edu","twitter_card":"summary_large_image","twitter_misc":{"Written by":"streich@uwm.edu","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#article","isPartOf":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/"},"author":{"name":"streich@uwm.edu","@id":"https:\/\/uwm.edu\/yiddish-stage\/#\/schema\/person\/acb308ee9146d2d003cc0dfb2a5f08f9"},"headline":"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman","datePublished":"2021-12-06T18:29:50+00:00","dateModified":"2023-06-16T14:41:03+00:00","mainEntityOfPage":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/"},"wordCount":1020,"image":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#primaryimage"},"thumbnailUrl":"https:\/\/uwm.edu\/yiddish-stage\/wp-content\/uploads\/sites\/562\/2021\/12\/Tsipi-Abelman.jpeg","articleSection":["1918-1945","Women in Yiddish Theatre","Writers"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/","url":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/","name":"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman - Digital Yiddish Theatre Project","isPartOf":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/#website"},"primaryImageOfPage":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#primaryimage"},"image":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#primaryimage"},"thumbnailUrl":"https:\/\/uwm.edu\/yiddish-stage\/wp-content\/uploads\/sites\/562\/2021\/12\/Tsipi-Abelman.jpeg","datePublished":"2021-12-06T18:29:50+00:00","dateModified":"2023-06-16T14:41:03+00:00","author":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/#\/schema\/person\/acb308ee9146d2d003cc0dfb2a5f08f9"},"breadcrumb":{"@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#primaryimage","url":"https:\/\/uwm.edu\/yiddish-stage\/wp-content\/uploads\/sites\/562\/2021\/12\/Tsipi-Abelman.jpeg","contentUrl":"https:\/\/uwm.edu\/yiddish-stage\/wp-content\/uploads\/sites\/562\/2021\/12\/Tsipi-Abelman.jpeg","width":1800,"height":2385},{"@type":"BreadcrumbList","@id":"https:\/\/uwm.edu\/yiddish-stage\/permit-new-actors-on-the-stage-a-1905-protest-letter-by-tsipe-abelman\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/uwm.edu\/yiddish-stage\/"},{"@type":"ListItem","position":2,"name":"\u201cPermit New Actors on the Stage?\u201d: A 1905 Protest Letter by Tsipe Abelman"}]},{"@type":"WebSite","@id":"https:\/\/uwm.edu\/yiddish-stage\/#website","url":"https:\/\/uwm.edu\/yiddish-stage\/","name":"Digital Yiddish Theatre Project","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/uwm.edu\/yiddish-stage\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/uwm.edu\/yiddish-stage\/#\/schema\/person\/acb308ee9146d2d003cc0dfb2a5f08f9","name":"streich@uwm.edu","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e399a19731b1091c871f2856bb4a1f9b8a25f546316420cdffcf604a3babdcea?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e399a19731b1091c871f2856bb4a1f9b8a25f546316420cdffcf604a3babdcea?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e399a19731b1091c871f2856bb4a1f9b8a25f546316420cdffcf604a3babdcea?s=96&d=mm&r=g","caption":"streich@uwm.edu"},"url":"https:\/\/uwm.edu\/yiddish-stage\/author\/streichuwm-edu\/"}]}},"acf":[],"_links":{"self":[{"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/posts\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":11,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/posts\/18\/revisions"}],"predecessor-version":[{"id":2046,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/posts\/18\/revisions\/2046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/media\/23"}],"wp:attachment":[{"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/media?parent=18"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/categories?post=18"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uwm.edu\/yiddish-stage\/wp-json\/wp\/v2\/tags?post=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}