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DTSTAMP:20260519T074433
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SUMMARY:Concurrent Exhibitions in the Emile H. Mathis Art Gallery (3/14-5/17)
DESCRIPTION:The One-Off Print: Monotypes from the UWM Art Collection \nThe monotype is a hybrid printmaking process in which ink is transferred from a flat matrix or printing plate onto a sheet of paper. In other words\, the monotype is a print form without a permanent matrix: it can only be printed once. The One-Off Print\, curated by Art History MA student Emma Erickson\, features monotypes from the UWM Art Collection produced by postwar American artists\, a time when experimental printmaking was on the rise. The exhibition highlights the versatility of the monotype\, a medium that bridges the disciplines of painting\, drawing\, and printmaking. \nWhat Is A Print? \nPrints – images made through a process of transferring ink from one surface to another – have for two millennia been rich sources of expressive exploration and crucial to the global circulation of images. Until the late-twentieth century\, most people experienced visual art primarily through prints. What Is A Print? surveys some of the major print processes represented in the UWM Art Collection\, including seminal printmakers like Albrecht Dürer\, Rembrandt van Rijn\, Francisco Goya\, and Pablo Picasso. By illuminating some of the complex technical details of printmaking\, the exhibition will enable viewers to consider the creative\, technical\, financial\, and social contexts the have shaped its history. \nExhibition run March 16 through May 14\, 2026 \nEmile H. Mathis Art Gallery Location and Hours: \nMitchell Hall 170\n3203 N. Downer Ave.\nMilwaukee\, WI 53211 \nMuseum Hours: Mon – Thurs: 10:30 AM – 2:30 PM\nTo make an appointment to visit the gallery\, please contact the gallery at: mathisartgallery@uwm.edu.
URL:https://uwm.edu/letters-science/event/concurrent-exhibitions-in-the-emile-h-mathis-art-gallery/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,Public,Student Life,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2026/03/One_Off_Print.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260424T173000
DTEND;TZID=America/Chicago:20260424T190000
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CREATED:20260330T152231Z
LAST-MODIFIED:20260330T152231Z
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SUMMARY:Friends of Art History Guest Lecture - Kim Sajet: What is Art History for?
DESCRIPTION:Please join us as we welcome the new Director of the Milwaukee Art Museum! \nSince the dawn of civilization\, people have turned to art to make sense of the world around them. From Pliny the Elder’s account of artistic progress to Xie He’s theory of “spirit resonance” and Giorgio Vasari’s biographical narratives of artistic genius\, writers have theorized and systematized how art develops and why it matters. In 1764\, Johann Joachim Winckelmann first coined the term “history of art\,” helping to formalize the discipline and secure its place within the academy. What began as an effort to elevate the study of art eventually became a marker of cultural refinement. \nYet today\, art history — along with many related humanities disciplines — finds itself increasingly marginalized on university campuses and in public life. Programs shrink\, departments merge\, and scholarship is asked to defend its relevance. If art history is fundamentally the study of visual communication\, why has it struggled to communicate its own purpose? What is art history for? \nIn this talk\, Kim Sajet\, the Donna and Donald Baumgartner Director of the Milwaukee Art Museum\, suggests that the answer lies not in defending old hierarchies or rehearsing inherited canons\, but in reimagining the purpose of studying art itself — less as a means of codifying culture or adjudicating status\, and more as a way of creating community and advancing a shared sense of global humanity. \nLecture is free and open to the public.
URL:https://uwm.edu/letters-science/event/friends-of-art-history-guest-lecture-kim-sajet-what-is-art-history-for/
LOCATION:Curtin Hall 175
CATEGORIES:Arts and Culture,Humanities,Lectures Conferences and Symposiums,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2026/03/Sajet-and-Calatrava.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260126
DTEND;VALUE=DATE:20260227
DTSTAMP:20260519T074433
CREATED:20251125T161012Z
LAST-MODIFIED:20251125T161012Z
UID:10017560-1769385600-1772150399@uwm.edu
SUMMARY:Rebellious Stripes: The American Flag in Activist Art\, 1960–2025
DESCRIPTION:The American flag originated as an act of protest. That status intensified in the second half of the twentieth century\, as protest movements have used and manipulated the flag in provocative ways. Activists and artists have continued to mobilize the flag in pursuit of a variety of objectives\, prompting intense public and legal debates about what the flag is (materially)\, what it represents (symbolically)\, and how it can or should be used. Rebellious Stripes: The American Flag in Activist Art\, 1960-2025 explores the use of the American flag in activist artworks focused on political figures\, racial equality\, anti-imperialism\, and social and economic justice. It draws primarily from the UWM Art Collection\, with additions from the UWM Libraries’ Special Collections and Archives\, and two Universities of Wisconsin faculty-artists. Collectively\, the objects in Rebellious Stripes demonstrate the ongoing battle for control of the American flag as people across the political spectrum employ it to signal a range of messages beyond ‘patriotism.\n\nThe Mathis Gallery is open from 10:30 AM – 2:00 PM M-Th and by appointment.
URL:https://uwm.edu/letters-science/event/rebellious-stripes-the-american-flag-in-activist-art-1960-2025-2/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Alumni & Community,Arts and Culture,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2025/11/Rebelious_Stripes.webp
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DTSTART;VALUE=DATE:20260126
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LAST-MODIFIED:20251125T160905Z
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SUMMARY:American Icons: Sacralizing A Nation
DESCRIPTION:This exhibition explores the ways that religion has been deeply interwoven into the iconography of the United States. Historically\, the term ‘icon’ (Greek for ‘image’) is associated with Christian traditions\, aligning most notably with venerated religious figures. Today\, ‘icon’ is often used more loosely\, to refer to something that has become recognizable on a mass scale\, but the deep histories of religious imagery inevitably wend their way into iconic representations. Drawing from the UWM Art Collection and supplemented with works from the American Geographical Society Library\, American Icons invites viewers to consider what Americans choose to venerate – political and historical figures\, national landscapes and monuments\, and celebrities and consumer goods. By examining the visual products of reverence\, the exhibition demonstrates the multifaceted\, complex\, and mutable nature of American identity and the ways it is (re)defined by an ever-changing set of icons.\n\n\nThe Mathis Gallery is open from 10:30 AM – 2:00 PM M-Th and by appointment.
URL:https://uwm.edu/letters-science/event/american-icons-sacralizing-a-nation-2/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2025/11/American_Icons.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251124
DTEND;VALUE=DATE:20251212
DTSTAMP:20260519T074433
CREATED:20251125T160745Z
LAST-MODIFIED:20251125T160745Z
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SUMMARY:Rebellious Stripes: The American Flag in Activist Art\, 1960–2025
DESCRIPTION:The American flag originated as an act of protest. That status intensified in the second half of the twentieth century\, as protest movements have used and manipulated the flag in provocative ways. Activists and artists have continued to mobilize the flag in pursuit of a variety of objectives\, prompting intense public and legal debates about what the flag is (materially)\, what it represents (symbolically)\, and how it can or should be used. Rebellious Stripes: The American Flag in Activist Art\, 1960-2025 explores the use of the American flag in activist artworks focused on political figures\, racial equality\, anti-imperialism\, and social and economic justice. It draws primarily from the UWM Art Collection\, with additions from the UWM Libraries’ Special Collections and Archives\, and two Universities of Wisconsin faculty-artists. Collectively\, the objects in Rebellious Stripes demonstrate the ongoing battle for control of the American flag as people across the political spectrum employ it to signal a range of messages beyond ‘patriotism.\n\nThe Mathis Gallery is open from 10:30 AM – 2:00 PM M-Th and by appointment.
URL:https://uwm.edu/letters-science/event/rebellious-stripes-the-american-flag-in-activist-art-1960-2025/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Alumni & Community,Arts and Culture,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2025/11/Rebelious_Stripes.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250220T100000
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DTSTAMP:20260519T074433
CREATED:20241127T164431Z
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SUMMARY:Revolutionary Realism: Prints and Portraits after the Mexican Revolution - Art Exhibition
DESCRIPTION:Revolutionary Realism: Prints and Portraits after the Mexican Revolution explores the traditions of print and portraiture in 20th-century Mexico and their influence in other Latin American countries. This exhibition examines the visual language of revolution\, labor\, and identity following the Mexican Revolution\, featuring works from Manuel Carrillo\, Leopoldo Méndez\, Diego Rivera\, Francisco Toledo\, and more. \nThis show was curated by the ARTHIST 704: Intro to Art Museum Studies II class\, this collaborative course teaches Art History graduate students the methodologies and technologies of art museum work\, including collection management\, exhibition organization\, catalogue production\, and educational programming.  \nExhibit is open Mondays through Thursdays from 10 am to 4 pm through February 20th. Free and open to the public.
URL:https://uwm.edu/letters-science/event/revolutionary-realism-prints-and-portraits-after-the-mexican-revolution-art-exhibition-2/2025-02-20/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2024/11/revolutionaryrealism.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241211T100000
DTEND;TZID=America/Chicago:20241211T160000
DTSTAMP:20260519T074433
CREATED:20241127T164247Z
LAST-MODIFIED:20241127T164247Z
UID:10015846-1733911200-1733932800@uwm.edu
SUMMARY:Revolutionary Realism: Prints and Portraits after the Mexican Revolution - Art Exhibition
DESCRIPTION:Revolutionary Realism: Prints and Portraits after the Mexican Revolution explores the traditions of print and portraiture in 20th-century Mexico and their influence in other Latin American countries. This exhibition examines the visual language of revolution\, labor\, and identity following the Mexican Revolution\, featuring works from Manuel Carrillo\, Leopoldo Méndez\, Diego Rivera\, Francisco Toledo\, and more. \nThis show was curated by the ARTHIST 704: Intro to Art Museum Studies II class\, this collaborative course teaches Art History graduate students the methodologies and technologies of art museum work\, including collection management\, exhibition organization\, catalogue production\, and educational programming.  \nExhibit is open Mondays through Thursdays from 10 am to 4 pm\, December 9th\, 10th and 11th. The exhibit re-opens January 22 and runs through February 20th\, also Mondays through Thursdays from 10 am to 4 pm. Free and open to the public.
URL:https://uwm.edu/letters-science/event/revolutionary-realism-prints-and-portraits-after-the-mexican-revolution-art-exhibition/2024-12-11/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2024/11/revolutionaryrealism.webp
X-TRIBE-STATUS:
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241205T170000
DTEND;TZID=America/Chicago:20241205T190000
DTSTAMP:20260519T074433
CREATED:20241127T164118Z
LAST-MODIFIED:20241127T164118Z
UID:10015843-1733418000-1733425200@uwm.edu
SUMMARY:Revolutionary Realism: Prints and Portraits after the Mexican Revolution - Art Exhibition Opening Reception
DESCRIPTION:Revolutionary Realism: Prints and Portraits after the Mexican Revolution explores the traditions of print and portraiture in 20th-century Mexico and their influence in other Latin American countries. This exhibition examines the visual language of revolution\, labor\, and identity following the Mexican Revolution\, featuring works from Manuel Carrillo\, Leopoldo Méndez\, Diego Rivera\, Francisco Toledo\, and more. \nThis show was curated by the ARTHIST 704: Intro to Art Museum Studies II class\, this collaborative course teaches Art History graduate students the methodologies and technologies of art museum work\, including collection management\, exhibition organization\, catalogue production\, and educational programming.  \nExhibit is open Mondays through Thursdays from 10 am to 4 pm\, December 9th\, 10th and 11th. The exhibit re-opens January 22 and runs through February 20th\, also Mondays through Thursdays from 10 am to 4 pm. Free and open to the public.
URL:https://uwm.edu/letters-science/event/revolutionary-realism-prints-and-portraits-after-the-mexican-revolution-art-exhibition-opening-reception/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2024/11/revolutionaryrealism.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241114T100000
DTEND;TZID=America/Chicago:20241114T160000
DTSTAMP:20260519T074433
CREATED:20241002T044604Z
LAST-MODIFIED:20241002T044604Z
UID:10015816-1731578400-1731600000@uwm.edu
SUMMARY:Modern Impacts: Celebrating 50 Years of the Rosenberg Collection at UWM
DESCRIPTION:Modern Impacts: Celebrating 50 Years of the Rosenberg Collection at UWM honors the fiftieth anniversary of the foundational bequest of the Blanche and Henry Rosenberg Art Collection to UWM. In 1974\, the UWM Art Collection was much like the young university itself: small\, impressive\, and growing. With this significant gift\, the artwork on campus more than doubled in number and was codified into one collection that highlighted modern art of the twentieth century. \nThis exhibition presents the personal aesthetic interests of the Rosenbergs while also considering collecting trends of the mid-twentieth century. The breadth and depth of the collection is especially significant when evaluating their decision to bequeath their collection to UWM to support teaching and learning. Major modern artists featured include Pablo Picasso\, Georges Braque\, Joan Miró\, Ernst Kirchner\, Jean Arp\, Barbara Hepworth\, Henry Moore\, Jean Dubuffet\, Alexei Jawlensky\, and more. Also presented are works by the donor\, Blanche Rosenberg\, who studied in the fine arts department here at UWM. Organized to showcase major art historical movements represented in the collection\, this show underscores the ways this donation established a strong teaching collection here at UWM and honors the legacy of these impactful donors. \nCurated by academic curator Leigh Mahlik\, exhibition runs through November 14\, 2024. The Emile H. Mathis Art Gallery in Mitchell Hall Rm 170 is open 10-4 Monday-Thursday and is free to the public.
URL:https://uwm.edu/letters-science/event/modern-impacts-celebrating-50-years-of-the-rosenberg-collection-at-uwm/2024-11-14/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2024/10/ModernImpacts.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241024T171500
DTEND;TZID=America/Chicago:20241024T183000
DTSTAMP:20260519T074433
CREATED:20241009T043606Z
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SUMMARY:Living on the Edge: Armenian art and the margins of art history
DESCRIPTION:The 2024 Friends of Art History Lecture marks the 60th anniversary of the Department of Art History at UWM. Our speaker is Professor Christina Maranci of Harvard University (Department of Near Eastern Languages & Civilizations\, Department of History of Art and Architecture)\, where she holds the Mashtots Chair in Armenian Studies. Professor Maranci taught in our own department from 2001 until 2008\, and we are thrilled to welcome her back to Milwaukee. \nProfessor Maranci is the author of four books and over 100 articles and essays on medieval Armenian art and architecture\, including most recently\, the Art of Armenia (Oxford UP\, 2018). Her 2015 monograph\, Vigilant Powers: Three Churches of Early Medieval Armenia (Brepols\, 2015) won the Karen Gould Prize for Art History from the Medieval Academy of America and as well as the Sona Aronian Prize for best Armenian Studies monograph from the National Association for Armenian Studies and Research (NAASR). She has also published op eds. and essays in the Wall Street Journal\, Apollo\, The Conversation\, and Hyperallergic\, and has been featured on National Public Radio’s Open Source with Christopher Lydon. \nFor her work\, she received in 2024 the Moses Khorenatsi Medal from the President of the Republic of Armenia. \nImage: Lectionary of Het’um II\, 1286. Yerevan\, Matenadaran\, MS 979\, fol. 293r. Decorated chapter heading. Photo: Matenadaran. \nAdditional support provided by the local chapter of AIA (Archaeological Institute of America)
URL:https://uwm.edu/letters-science/event/living-on-the-edge-armenian-art-and-the-margins-of-art-history/
LOCATION:UWM Mitchell Hall\, Room 195\, 3203 N Downer Ave\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Lectures Conferences and Symposiums,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2024/10/armeniaart.webp
X-TRIBE-STATUS:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240509T100000
DTEND;TZID=America/Chicago:20240509T160000
DTSTAMP:20260519T074433
CREATED:20240314T183949Z
LAST-MODIFIED:20240314T184034Z
UID:10015527-1715248800-1715270400@uwm.edu
SUMMARY:What the Folk? (Art Exhibition)
DESCRIPTION:Accompanying a course on American Folk Art taught by the UWM Art History Department\, What the Folk? explores the terminology and history that have shaped understandings of folk art\, self-taught art\, Americana\, outsider art\, and visionary art. It asks which artists and objects are included in such categories\, why people have invested in the concept of folk art\, and how we can uncover the stories of American artists whose work deserves greater attention\, no matter what it is called. Co-curated by Dr. Kay Wells and Leigh Mahlik. \nOpening night is April 11 from 5 to 7 pm with a curator talk at 5:30 pm. \nRegular gallery hours for this exhibit are Monday through Thursday from 10 am to 4 pm. This exhibit is free and runs through May 9.
URL:https://uwm.edu/letters-science/event/what-the-folk-art-exhibition-2/2024-05-09/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240509T100000
DTEND;TZID=America/Chicago:20240509T160000
DTSTAMP:20260519T074433
CREATED:20240314T183130Z
LAST-MODIFIED:20240314T184110Z
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SUMMARY:Saintly: Christian Women in Early Modern Europe (Art Exhibition)
DESCRIPTION:Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki Ranney\, this thesis exhibition brings perspective to the religious lives of women during this period and the expectations to which they were subjected. \nOpening night is April 11 from 5 to 7 pm with a curator talk at 5:30 pm. \nRegular gallery hours for this exhibit are Monday through Thursday from 10 am to 4 pm. This exhibit is free and runs through May 9.
URL:https://uwm.edu/letters-science/event/saintly-christian-women-in-early-modern-europe-art-exhibition-2/2024-05-09/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
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DTSTART;TZID=America/Chicago:20240411T170000
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CREATED:20240314T183746Z
LAST-MODIFIED:20240314T183746Z
UID:10015511-1712854800-1712862000@uwm.edu
SUMMARY:What the Folk? (Art Exhibition)
DESCRIPTION:Accompanying a course on American Folk Art taught by the UWM Art History Department\, What the Folk? explores the terminology and history that have shaped understandings of folk art\, self-taught art\, Americana\, outsider art\, and visionary art. It asks which artists and objects are included in such categories\, why people have invested in the concept of folk art\, and how we can uncover the stories of American artists whose work deserves greater attention\, no matter what it is called. Co-curated by Dr. Kay Wells and Leigh Mahlik. \nOpening night is April 11 from 5 to 7 pm with a curator talk at 5:30 pm. \nRegular gallery hours for this exhibit are Monday through Thursday from 10 am to 4 pm. This exhibit is free and runs through May 9.
URL:https://uwm.edu/letters-science/event/what-the-folk-art-exhibition/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240411T170000
DTEND;TZID=America/Chicago:20240411T190000
DTSTAMP:20260519T074433
CREATED:20240314T182957Z
LAST-MODIFIED:20240314T182957Z
UID:10014483-1712854800-1712862000@uwm.edu
SUMMARY:Saintly: Christian Women in Early Modern Europe (Art Exhibition)
DESCRIPTION:Saintly: Christian Women in Early Modern Europe explores the relationship between laywomen and holy women from the Christian canon by examining depictions of the Virgin Mary and Women Saints in works from the 16th through 18th centuries. Curated by graduate student Nikki Ranney\, this thesis exhibition brings perspective to the religious lives of women during this period and the expectations to which they were subjected. \nOpening night is April 11 from 5 to 7 pm with a curator talk at 5:30 pm. \nRegular gallery hours for this exhibit are Monday through Thursday from 10 am to 4 pm. This exhibit is free and runs through May 9.
URL:https://uwm.edu/letters-science/event/saintly-christian-women-in-early-modern-europe-art-exhibition/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240328T163000
DTEND;TZID=America/Chicago:20240328T183000
DTSTAMP:20260519T074433
CREATED:20240215T170432Z
LAST-MODIFIED:20240314T212903Z
UID:10014382-1711643400-1711650600@uwm.edu
SUMMARY:Insignificant Things in the Archives of Atlantic Slavery
DESCRIPTION:A Friends of Art History Lecture: What forms of visual evidence can\, and should\, one use to materialize and memorialize the history of Atlantic slavery? In this talk\, Matthew Rarey argues that this question\, far from being a contemporary ethical challenge\, was of critical importance to Africans and Indigenous people swept up in the Atlantic traffic of ideas and lives in the early eighteenth century. Critically analyzing a series of surreptitious and visually benign objects contained or referenced in colonial archives in Brazil and Portugal\, Rarey suggests that mapping the visual culture of Atlantic slavery ethically requires engaging objects produced as challenges to\, and archives of\, their makers’ experiences of displacement and diaspora. \nMatthew Rarey is Associate Professor of African and Black Atlantic Art History and the Chair of Art History at Oberlin College and Conservatory. He researches and teaches the art history of the Black Atlantic\, with a focus on connections between West Africa\, Brazil\, and Portugal from the seventeenth through twenty-first centuries. His research looks to visual and material culture to centralize Africans’ contributions to histories of slavery\, racial formation\, religion\, and commodity exchange. His first book\, Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic\, was published in 2023 by Duke University Press. \nMatthew Rarey’s biography can be viewed at: https://www.oberlin.edu/matthew-rarey
URL:https://uwm.edu/letters-science/event/insignificant-things-in-the-archives-of-atlantic-slavery/
LOCATION:UWM Mitchell Hall\, Room 195\, 3203 N Downer Ave\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,Lectures Conferences and Symposiums,UWM Campus Events
X-TRIBE-STATUS:
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231212
DTEND;VALUE=DATE:20240209
DTSTAMP:20260519T074433
CREATED:20231208T222828Z
LAST-MODIFIED:20231208T223329Z
UID:10014313-1702339200-1707436799@uwm.edu
SUMMARY:Art Works: Recent Donations to the UWM Art Collection
DESCRIPTION:GALLERY HOURS: Monday through Thursdays\, 10:00 am to 4:00 pm\nEXHIBIT RUNS: September 18\, 2023 through February 8\, 2024 \nArt Works places the spotlight on curation and research practices at the UWM Art Collection and Emile H. Mathis Art Gallery. Drawing from recent donations and featuring objects of research attention\, the exhibition emphasizes the gallery’s mission at work. \nThe UWM Art Collection and Emile H. Mathis Art Gallery are distinct in their accessibility to the public and their support of graduate and undergraduate training. Historically\, art museums and collections have been shaped by relatively few people\, and have quietly carried on collecting\, researching\, and displaying works with limited public input. Recently\, art institutions and museum scholars have begun to lift the curtain. Art Works continues this new tradition of transparency. \nThe exhibit features pieces by well-known artists such as Dale Chihuly\, Andy Warhol\, and Alexander Calder. Lesser-known – but no less significant – artists including Max Arthur Cohn\, Karen Fitzgerald\, and Carlos Hermosilla Alvarez are also presented. Art Works highlights the key players that make the Mathis Art Gallery a rich resource for all. \nArt Works: Recent Donations to the UWM Art Collection was curated by Academic Curator Leigh M.W. Mahlik and features research by former undergraduate and graduate student gallery interns\, former gallery teaching assistants\, faculty\, and gallery staff. \nSupport for this exhibition is provided by the Friends of Art History\, the Max Arthur Cohn Preservation Fund\, the Emile H. Mathis Preservation Fund\, the Department of Art History\, and the College of Letters and Sciences. \n  \nPhoto Caption: Detail of Karen Fitzgerald\, Lambent\, 2005\, oil on canvas\, Gift of Karen Fitzgerald and Kohler Foundation\, Inc.\, UWMAC 2021.006.03
URL:https://uwm.edu/letters-science/event/art-works-recent-donations-to-the-uwm-art-collection-2/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
ATTACH;FMTTYPE=image/jpeg:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2023/09/Art-Works-Postcard.jpg
X-TRIBE-STATUS:
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230511T100000
DTEND;TZID=America/Chicago:20230511T160000
DTSTAMP:20260519T074433
CREATED:20230324T214513Z
LAST-MODIFIED:20230324T214832Z
UID:10014095-1683799200-1683820800@uwm.edu
SUMMARY:Open Parameters - late nineteenth and early twentieth century’s Chinese calligraphy and painting
DESCRIPTION:This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive concepts with fixed characteristics\, but rather as fluid categories that existed in the vast crucible of cultural choices – choices made available by the influence of the late Ming literati and Western civilization. It motivates us to understand how open the parameters of cultural discourse were and how accommodating the Chinese cultural repertoire was at that crucial historical moment.  \nOpening reception with curator gallery talk is on Thursday\, April 13\, from 5 to 7 pm. Curated by Jingwei Zeng.\nThe exhibit remains open through May 11\, 2023\, Mondays through Thursdays from 10 am to 4 pm. Free and open to the public.
URL:https://uwm.edu/letters-science/event/open-parameters-late-nineteenth-and-early-twentieth-centurys-chinese-calligraphy-and-painting/2023-05-11/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230511T100000
DTEND;TZID=America/Chicago:20230511T160000
DTSTAMP:20260519T074433
CREATED:20230324T211512Z
LAST-MODIFIED:20230324T214319Z
UID:10014079-1683799200-1683820800@uwm.edu
SUMMARY:Negotiating Authenticity: Reproducing the Past for the Present
DESCRIPTION:Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs\, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts and their reproductions. It considers how this ongoing dialogue blurs the boundaries between materiality and authenticity and\, in the process\, manifests in our desire to build bridges between the past and the present. \nOpening reception with curator gallery talk is on Thursday\, April 13\, from 5 to 7 pm. Curated by David Symanzik-Stock.\nThe exhibit remains open through May 11\, 2023\, Mondays through Thursdays from 10 am to 4 pm. Free and open to the public.
URL:https://uwm.edu/letters-science/event/negotiating-authenticity-reproducing-the-past-for-the-present/2023-05-11/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
GEO:43.075684;-87.8789516
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Emile H. Mathis Art Gallery 3203 North Downer Avenue Milwaukee WI 53211 United States;X-APPLE-RADIUS=500;X-TITLE=3203 North Downer Avenue:geo:-87.8789516,43.075684
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230421T100000
DTEND;TZID=America/Chicago:20230421T160000
DTSTAMP:20260519T074433
CREATED:20230323T223614Z
LAST-MODIFIED:20230323T224528Z
UID:10014056-1682071200-1682092800@uwm.edu
SUMMARY:Quilting Bee
DESCRIPTION:Learn about quilting by contributing a stitch to finish the backing of a quilt.  Featuring artists Heidi Parkes and Molly Hassler.  Visit and contribute a stitch\, no experience is necessary\, and supplies are provided. \nFrom 10:00 AM until 12:30 PM\, the Quilting Bee will be set up in the Women’s Resource Center (Student Union EG37) \nFrom 1:00 PM until 4:00 PM\, the Quilting Bee will be set up in the Golda Mier Library near the Circulation Desk \nSupported by the Wisconsin Museum of Quilts and Fiber Artists.
URL:https://uwm.edu/letters-science/event/quilting-bee/
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230418T180000
DTEND;TZID=America/Chicago:20230418T190000
DTSTAMP:20260519T074433
CREATED:20230315T043143Z
LAST-MODIFIED:20230315T043627Z
UID:10014050-1681840800-1681844400@uwm.edu
SUMMARY:Folk-arts for peace: HemisFair '68 and the Cultural Olympics in México’s 1968 Olympiad during the Global Cold War
DESCRIPTION:A public talk on craft and globalism by Dr. Deborah Dorotinsky Alperstein\, Instituto de Investigaciones Estéticas of the Universidad Autónoma de México (UNAM). \nThis lecture will center on folk art (handcraft / arte-popular) as a cultural agent during the Global Cold War in 1968. It will highlight the place of handcraft in the cultural diplomacy between Mexico and the United States during the sixties and bring to the fore two international exhibitions. \nDr. Dorotinsky currently serves as the project leader for Popular Arts\, an effort to create a network of scholars both in Latin American and elsewhere whose work deals with contemporary Latin American art and specifically “popular” art objects\, i.e. crafts and diseño artisanal. The purpose of the project is to critique and revise accepted categories (as well as definitions\, terms\, etc.) of these objects. Dr. Dorotinsky and her colleagues argue that these categories are politically contingent\, often exploitative\, and troublingly institutionalized.
URL:https://uwm.edu/letters-science/event/folk-arts-for-peace-hemisfair-68-and-the-cultural-olympics-in-mexicos-1968-olympiad-during-the-global-cold-war/
LOCATION:Mitchell Hall\, Room 191\, 3203 N. Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,Lectures Conferences and Symposiums,UWM Campus Events
X-TRIBE-STATUS:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230330T100000
DTEND;TZID=America/Chicago:20230330T160000
DTSTAMP:20260519T074433
CREATED:20230220T232627Z
LAST-MODIFIED:20230220T235220Z
UID:10014031-1680170400-1680192000@uwm.edu
SUMMARY:Art Exhibition: Body Bound
DESCRIPTION:Art History graduate student Rachel Allison’s thesis exhibition opens February 23rd from 5-7pm with curator remarks at 5:30pm and runs through April 1\, 2023. The Emile H. Mathis Art Gallery is located in Mitchell Hall\, is free\, and is open Mondays through Thursdays from 10 am to 4 pm. \nBody Bound traces the historically grounded and long-standing tradition of using bodily material as the basis for bookmaking. This practice has not subsided entirely in its traditional form but has also branched off and informed contemporary book-making practices. Contemporary books\, specifically artist books\, are a part of a longer history of using and presenting bodies with books. This exhibition includes historical books and contemporary artist books from the UWM special collections as well as the John Michael Kohler Art Foundation.
URL:https://uwm.edu/letters-science/event/art-exhibition-body-bound/2023-03-30/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Emile H. Mathis Art Gallery 3203 North Downer Avenue Milwaukee WI 53211 United States;X-APPLE-RADIUS=500;X-TITLE=3203 North Downer Avenue:geo:-87.8789516,43.075684
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230330T100000
DTEND;TZID=America/Chicago:20230330T160000
DTSTAMP:20260519T074433
CREATED:20221129T185804Z
LAST-MODIFIED:20230118T173817Z
UID:10013786-1680170400-1680192000@uwm.edu
SUMMARY:Art History Exhibition: Material Agents-Objects as Intermediaries
DESCRIPTION:This exhibition explores the social action of artworks\, artifacts\, and material and visual culture from the UWM Art Collection and is co-curated by students and faculty from the “Intro to Art Museum Studies II” class. \nThe exhibition demonstrates that inanimate objects take on social agency as nexuses that draw together people across time and space\, serve as portals to separate realms of being\, or both. as earthly intermediaries\, objects facilitate relationships between individuals and communities. The results are syncretic aesthetics that reveal both harmony and tension in interpersonal connection. As portals to other realms\, objects are conduits by which people and communities transcend the physical sphere to spiritual realms. With more than 40 objects in the exhibition\, the curators assert that while objects might seem inanimate\, they are powerful agents in connecting beings in the material and spiritual worlds. \nThe show is open December 8 through March 31\, Mondays through Thursdays from 10 am to 4 pm. Opening reception is Thursday\, December 8 from 5 to 7 pm. Free and open to the public.
URL:https://uwm.edu/letters-science/event/art-history-exhibition-material-agents-objects-as-intermediaries/2023-03-30/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
GEO:43.075684;-87.8789516
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Emile H. Mathis Art Gallery 3203 North Downer Avenue Milwaukee WI 53211 United States;X-APPLE-RADIUS=500;X-TITLE=3203 North Downer Avenue:geo:-87.8789516,43.075684
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221208T170000
DTEND;TZID=America/Chicago:20221208T190000
DTSTAMP:20260519T074433
CREATED:20221206T051115Z
LAST-MODIFIED:20221206T051115Z
UID:10013791-1670518800-1670526000@uwm.edu
SUMMARY:Art History Exhibition Opening: Material Agents-Objects as Intermediaries
DESCRIPTION:This exhibition explores the social action of artworks\, artifacts\, and material and visual culture from the UWM Art Collection and is co-curated by students and faculty from the “Intro to Art Museum Studies II” class.  \nThe exhibition demonstrates that inanimate objects take on social agency as nexuses that draw together people across time and space\, serve as portals to separate realms of being\, or both. as earthly intermediaries\, objects facilitate relationships between individuals and communities. The results are syncretic aesthetics that reveal both harmony and tension in interpersonal connection. As portals to other realms\, objects are conduits by which people and communities transcend the physical sphere to spiritual realms. With more than 40 objects in the exhibition\, the curators assert that while objects might seem inanimate\, they are powerful agents in connecting beings in the material and spiritual worlds. \nFollowing opening night on Dec. 8\, the show remains open through March 31\, Mondays through Thursdays from 10 am to 4 pm. Free and open to the public.
URL:https://uwm.edu/letters-science/event/art-history-exhibition-opening-material-agents-objects-as-intermediaries/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
GEO:43.075684;-87.8789516
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Emile H. Mathis Art Gallery 3203 North Downer Avenue Milwaukee WI 53211 United States;X-APPLE-RADIUS=500;X-TITLE=3203 North Downer Avenue:geo:-87.8789516,43.075684
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221116T163000
DTEND;TZID=America/Chicago:20221116T180000
DTSTAMP:20260519T074433
CREATED:20221017T202543Z
LAST-MODIFIED:20221019T193819Z
UID:10013865-1668616200-1668621600@uwm.edu
SUMMARY:Hidden Treasure: Finding Women Dealers and Collectors of Far Eastern Art in Paris\, 1858-1914
DESCRIPTION:Elizabeth Emery\, Professor of World Languages and Cultures at Montclair State University\, is giving a free public talk about her recent book Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France\, 1853-1914 (Bloomsbury Visual Arts\, 2020) and her digital humanities project with the National Institute for Art History in Paris\, “Connoisseurs\, Collectors\, and Dealers of Asian Art in France\, 1700-1939.”
URL:https://uwm.edu/letters-science/event/hidden-treasure-finding-women-dealers-and-collectors-of-far-eastern-art-in-paris-1858-1914/
LOCATION:Mitchell Hall\, Room 191\, 3203 N. Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Lectures Conferences and Symposiums,UWM Campus Events
X-TRIBE-STATUS:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221020T160000
DTEND;TZID=America/Chicago:20221020T183000
DTSTAMP:20260519T074433
CREATED:20220930T195102Z
LAST-MODIFIED:20221004T232129Z
UID:10013835-1666281600-1666290600@uwm.edu
SUMMARY:Adventures in Archaeology: UWM Student Research Experiences Abroad
DESCRIPTION:Students from Classics\, Art History\, and Anthropology will come together to share their experiences abroad. Any major who is interested in a archaeological type of study abroad research experience is strongly encouraged to attend and hear directly from your peers about their experience. Bring your questions!
URL:https://uwm.edu/letters-science/event/adventures-in-archaeology-uwm-student-research-experiences-abroad/
LOCATION:UWM Mitchell Hall\, Room 159\, 3203 N Downer Ave\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Students,UWM Campus Events
ATTACH;FMTTYPE=image/jpeg:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2022/10/archaeology.jpg
ORGANIZER;CN="Classics Program":MAILTO:kmuse@uwm.edu
X-TRIBE-STATUS:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220512T100000
DTEND;TZID=America/Chicago:20220512T160000
DTSTAMP:20260519T074433
CREATED:20220313T200730Z
LAST-MODIFIED:20220313T201027Z
UID:10013642-1652349600-1652371200@uwm.edu
SUMMARY:Off the Press: Exploring Reproducible War Art
DESCRIPTION:Off the Press: Exploring Reproducible War Art is a graduate thesis exhibition curated by Emily Hankins and showing in the Emile H. Mathis Gallery on the UWM campus (Mitchell Hall). It will run through May 12\, 2022 and is free. The gallery is open Mondays through Thursdays from 10 am to 4 pm.
URL:https://uwm.edu/letters-science/event/off-the-press-exploring-reproducible-war-art/2022-05-12/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,UWM Campus Events
X-TRIBE-STATUS:
GEO:43.075684;-87.8789516
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END:VEVENT
END:VCALENDAR