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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260126
DTEND;VALUE=DATE:20260227
DTSTAMP:20260519T042018
CREATED:20251125T160905Z
LAST-MODIFIED:20251125T160905Z
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SUMMARY:American Icons: Sacralizing A Nation
DESCRIPTION:This exhibition explores the ways that religion has been deeply interwoven into the iconography of the United States. Historically\, the term ‘icon’ (Greek for ‘image’) is associated with Christian traditions\, aligning most notably with venerated religious figures. Today\, ‘icon’ is often used more loosely\, to refer to something that has become recognizable on a mass scale\, but the deep histories of religious imagery inevitably wend their way into iconic representations. Drawing from the UWM Art Collection and supplemented with works from the American Geographical Society Library\, American Icons invites viewers to consider what Americans choose to venerate – political and historical figures\, national landscapes and monuments\, and celebrities and consumer goods. By examining the visual products of reverence\, the exhibition demonstrates the multifaceted\, complex\, and mutable nature of American identity and the ways it is (re)defined by an ever-changing set of icons.\n\n\nThe Mathis Gallery is open from 10:30 AM – 2:00 PM M-Th and by appointment.
URL:https://uwm.edu/letters-science/event/american-icons-sacralizing-a-nation-2/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Arts and Culture,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2025/11/American_Icons.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260126
DTEND;VALUE=DATE:20260227
DTSTAMP:20260519T042018
CREATED:20251125T161012Z
LAST-MODIFIED:20251125T161012Z
UID:10017560-1769385600-1772150399@uwm.edu
SUMMARY:Rebellious Stripes: The American Flag in Activist Art\, 1960–2025
DESCRIPTION:The American flag originated as an act of protest. That status intensified in the second half of the twentieth century\, as protest movements have used and manipulated the flag in provocative ways. Activists and artists have continued to mobilize the flag in pursuit of a variety of objectives\, prompting intense public and legal debates about what the flag is (materially)\, what it represents (symbolically)\, and how it can or should be used. Rebellious Stripes: The American Flag in Activist Art\, 1960-2025 explores the use of the American flag in activist artworks focused on political figures\, racial equality\, anti-imperialism\, and social and economic justice. It draws primarily from the UWM Art Collection\, with additions from the UWM Libraries’ Special Collections and Archives\, and two Universities of Wisconsin faculty-artists. Collectively\, the objects in Rebellious Stripes demonstrate the ongoing battle for control of the American flag as people across the political spectrum employ it to signal a range of messages beyond ‘patriotism.\n\nThe Mathis Gallery is open from 10:30 AM – 2:00 PM M-Th and by appointment.
URL:https://uwm.edu/letters-science/event/rebellious-stripes-the-american-flag-in-activist-art-1960-2025-2/
LOCATION:Emile H. Mathis Art Gallery\, 3203 North Downer Avenue\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Alumni & Community,Arts and Culture,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2025/11/Rebelious_Stripes.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260212
DTEND;VALUE=DATE:20260221
DTSTAMP:20260519T042018
CREATED:20260123T170035Z
LAST-MODIFIED:20260123T170035Z
UID:10017564-1770854400-1771631999@uwm.edu
SUMMARY:Generation to Generation: Conversing with Kindred Technologies
DESCRIPTION:Artists Sasha Stiles and Nathaniel Stern install their show Generation to Generation: Conversing with Kindred Technologies for a week-long run at Kenilworth Square East Gallery from February 12 to 20. \nAI is a transformational force in human history\, akin to the rise of language itself\, the printing press or our harnessing of electricity\, unlocking new realms of imagination and awareness. Yet its discourse is fraught with fear\, misunderstanding\, and disconnection. By blending Artificial Intelligence with more traditional artistic expression\, Generation to Generation: Conversing with Kindred Technologies cultivates new pathways for imagination while nurturing the roots of our creative inheritance\, and the always-evolving dialogue between art and innovation.    \nThis groundbreaking exhibition illuminates the intertwined evolution of humanity and technology\, inviting viewers to reconsider the relationship between humans and the tools we invent through an immersive fusion of sculptures\, prints\, electronics\, music\, movement\, and poetry\, all born from creative collaboration with AI.   \nThis exhibition is part of the Center for 21st Century Studies’ Aesthetics\, Art\, & AI series\, produced in collaboration with the Center for the Humanities at UW-Madison\, with support from the Consortium for Humanities Centers and Institutes (CHCI). \nDate & Time\nFebruary 12–20\, 2026\nWednesday–Fridays (2–7 p.m.)\, Saturdays (11 a.m.–3 p.m.)\nOpening: Thursday\, February 12 (5–7 p.m.)
URL:https://uwm.edu/letters-science/event/generation-to-generation-conversing-with-kindred-technologies/
LOCATION:WI
CATEGORIES:Arts and Culture,Faculty and Staff,Public,Students,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2026/01/ewaste.webp
ORGANIZER;CN="Center for 21st Century Studies":MAILTO:c21@uwm.edu
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260216T150000
DTEND;TZID=America/Chicago:20260216T160000
DTSTAMP:20260519T042018
CREATED:20260209T202033Z
LAST-MODIFIED:20260209T202033Z
UID:10017568-1771254000-1771257600@uwm.edu
SUMMARY:Borges\, Joyce\, and the Not-Quite-First Spanish-Language Review of Ulysses
DESCRIPTION:Jorge Luis Borges famously claimed himself to be the first hispano to embark upon the odyssey of reading and reviewing James Joyce’s Ulysses (1922). Along with his 1925 review\, he also translated the last two pages of the novel\, Molly Bloom’s sensation-creating\, stream-of-consciousness monologue. Perhaps starstruck by the legendary pairing of two of the twentieth century’s most influential authors\, many scholars have taken his claim as indisputable evidence that Borges single-handedly introduced Joyce to Latin America\, and of the enduring impact of his translation. This talk will reveal that the true story of Joyce’s introduction to Spanish language readers is both more complex and more interesting than the one traditionally told. \nDr. Leah Leone Anderson is a Visiting Scholar with UWM’s Center for Latin American and Caribbean Studies. Her book\, Borges’s Creative Infidelities: Translating Joyce\, Woolf and Faulkner (2024) was made possible with CLACS’s support. Her current research focuses on the work of Argentine critic\, translator\, and memoirist María Rosa Oliver (1898-1977). \n 
URL:https://uwm.edu/letters-science/event/borges-joyce-and-the-not-quite-first-spanish-language-review-of-ulysses/
LOCATION:UWM Golda Meir Library\, AGS Library (3rd Floor\, East Wing)\, 2311 E. Hartford Ave.\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Alumni & Community,Lectures Conferences and Symposiums,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2026/02/2026-February-16-LACUSL.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260220
DTEND;VALUE=DATE:20260223
DTSTAMP:20260519T042018
CREATED:20260210T172339Z
LAST-MODIFIED:20260210T172339Z
UID:10017570-1771545600-1771804799@uwm.edu
SUMMARY:29th Festival of Films in French
DESCRIPTION:Join us for the 29th Annual Festival of Films in French which showcases stories of resistance\, artistic expression\, justice\, and freedom. \nThe Festival of Films in French returns this February with an array of contemporary and classic fiction\, animation and documentary films that attend to their very form and explore notions of care\, restoration and reparations\, whether physical\, familial\, historical\, environmental or symbolic. Filmed by familiar and new directors\, the stories travel from Paris to Benin or the Niger Delta\, Quebec to Provence\, Haiti to the Congo/DRC\, and are set in Mauritius\, Tunisia\, Iraq\, France and California. \nCome in from the cold for six days of thought-provoking films\, and travel across space and time to witness stories of resilience\, freedom\, creativity and friendship. \nCheck out the festival’s full schedule at uwm.edu/french-film-festival/. \n 
URL:https://uwm.edu/letters-science/event/29th-festival-of-films-in-french-2/
LOCATION:UWM Union Cinema\, 2200 E. Kenwood Blvd.\, Milwaukee\, WI\, 53211\, United States
CATEGORIES:Alumni & Community,Arts and Culture,Public,UWM Campus Events
ATTACH;FMTTYPE=image/webp:https://uwm.edu/letters-science/wp-content/uploads/sites/255/2026/02/Holy-Cow-1-scaled-1.webp
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