Arts and Culture

This exhibition explores the social action of artworks, artifacts, and material and visual culture from the UWM Art Collection and is co-curated by students and faculty from the "Intro to Art Museum Studies II" class. The exhibition demonstrates that inanimate …

Art History graduate student Rachel Allison's thesis exhibition opens February 23rd from 5-7pm with curator remarks at 5:30pm and runs through April 1, 2023. The Emile H. Mathis Art Gallery is located in Mitchell Hall, is free, and is open …

This exhibition explores the social action of artworks, artifacts, and material and visual culture from the UWM Art Collection and is co-curated by students and faculty from the "Intro to Art Museum Studies II" class. The exhibition demonstrates that inanimate …

Art History graduate student Rachel Allison's thesis exhibition opens February 23rd from 5-7pm with curator remarks at 5:30pm and runs through April 1, 2023. The Emile H. Mathis Art Gallery is located in Mitchell Hall, is free, and is open …

This exhibition explores the social action of artworks, artifacts, and material and visual culture from the UWM Art Collection and is co-curated by students and faculty from the "Intro to Art Museum Studies II" class. The exhibition demonstrates that inanimate …

Art History graduate student Rachel Allison's thesis exhibition opens February 23rd from 5-7pm with curator remarks at 5:30pm and runs through April 1, 2023. The Emile H. Mathis Art Gallery is located in Mitchell Hall, is free, and is open …

Art History graduate student Rachel Allison's thesis exhibition opens February 23rd from 5-7pm with curator remarks at 5:30pm and runs through April 1, 2023. The Emile H. Mathis Art Gallery is located in Mitchell Hall, is free, and is open …

This exhibition explores the social action of artworks, artifacts, and material and visual culture from the UWM Art Collection and is co-curated by students and faculty from the "Intro to Art Museum Studies II" class. The exhibition demonstrates that inanimate …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition explores the complex relationships between ‘original’ artifacts …

This exhibition explores the diversity and heterogeneity of late nineteenth and early twentieth Chinese calligraphy and painting from Zhou Cezong’s donation. It suggests that the long-established terms such as “traditionality” and ‘modernity” can no longer be seen as mutually exclusive …