{"id":12191,"date":"2023-04-11T13:43:17","date_gmt":"2023-04-11T18:43:17","guid":{"rendered":"https:\/\/uwm.edu\/english\/?p=12191"},"modified":"2026-03-22T16:04:30","modified_gmt":"2026-03-22T21:04:30","slug":"when-modernists-wrote-about-changing-bodies-things-got-weird","status":"publish","type":"post","link":"https:\/\/uwm.edu\/english\/when-modernists-wrote-about-changing-bodies-things-got-weird\/","title":{"rendered":"When Modernists wrote about changing bodies, things got weird"},"content":{"rendered":"\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"1060\" height=\"450\" src=\"https:\/\/uwm.edu\/english\/wp-content\/uploads\/sites\/109\/2025\/12\/Sperling.jpg\" alt=\"Alison Sperling portrait\" class=\"wp-image-14611\" srcset=\"https:\/\/uwm.edu\/english\/wp-content\/uploads\/sites\/109\/2025\/12\/Sperling.jpg 1060w, https:\/\/uwm.edu\/english\/wp-content\/uploads\/sites\/109\/2025\/12\/Sperling-300x127.jpg 300w, https:\/\/uwm.edu\/english\/wp-content\/uploads\/sites\/109\/2025\/12\/Sperling-1024x435.jpg 1024w, https:\/\/uwm.edu\/english\/wp-content\/uploads\/sites\/109\/2025\/12\/Sperling-768x326.jpg 768w\" sizes=\"auto, (max-width: 1060px) 100vw, 1060px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-alison-sperling-17-phd-in-literature-and-cultural-theory\">Alison Sperling, &#8217;17 PhD in Literature and Cultural Theory<\/h3>\n\n\n\n<p><strong>Dissertation<\/strong>: <em>Weird Modernism<\/em><\/p>\n\n\n\n<p><strong>Update<\/strong>: <span style=\"color: #993300\">Alison is now an Assistant Professor in the English Department at Florida State University.<\/span><\/p>\n\n\n\n<p>My work aims to theorize \u201cthe Weird,\u201d named as such in the supernatural horror of H.P. Lovecraft in the early part of the twentieth century in America. For Lovecraft and other contributors to the Modernist pulp magazine <em>Weird Tales<\/em> (1923-1954), the weird referred specifically to the multi-headed and tentacled creatures of the magazine\u2019s supernatural world. But it also referred to a nameless terror, a cosmic horror that is \u201cun-nameable\u201d or that always evades linguistic representation. In this sense, I argue that the weird refers more broadly to a problematic sense of embodiment found in many other more familiar literary texts. I\u2019m most interested in weird bodies that are temporally oriented toward the future, or in moments when the body-in-flux appears to be out of control, rapidly developing and changing, or morphing into something that no longer feels human anymore.<\/p>\n\n\n\n<p>While some would argue that weird literature has been around since at least Poe, I think weird fiction finds its truest form in Modernism. It\u2019s true that most of the texts I study never use the word \u201cweird\u201d even once. Perhaps that is because the word was already over-associated with sensational Lovecraftian terrors. However, I think Lovecraft\u2019s conception of the weird can help us think through other anxieties present throughout the period, but that went by other names. For example, the unnameability of the weird sometimes seems to express Americans\u2019 alienation from their own bodies in a rapidly changing modern world. Swift industrialization, militarization, new medical practices, the eugenics movement, and many other developments rapidly and profoundly changed the ways in which modern people experienced their own bodies. In thinking through these issues, I\u2019m influenced by queer and feminist theory, theories of embodiment, and disability theory, and especially in the rich overlap between these fields. I\u2019m also invested in theories of the nonhuman, speculative realism, eco-criticism, and animal studies, all of which converge throughout the chapters to inform my sense of the weird.<\/p>\n\n\n\n<p>In addition to a chapter on Lovecraft, other chapters take up the work of Carson McCullers and \u201cfreakish\u201d adolescence, William Faulkner and pregnancy, and Djuna Barnes and animality. Each chapter opens up new aspects of the weird by emphasizing its embodied, future-oriented nature within the world of the narrative. Ultimately, however, I hope to show how Modernism might be connected to our contemporary moment by examining the emergence of New Weird fiction which has flourished since around the turn of the twenty-first century.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My work aims to theorize \u201cthe Weird,\u201d named as such in the supernatural horror of H.P. Lovecraft in the early part of the twentieth century in America.<\/p>\n","protected":false},"author":1272,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"categories":[175],"tags":[],"class_list":["post-12191","post","type-post","status-publish","format-standard","hentry","category-graduate-stories"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uwm.edu\/english\/when-modernists-wrote-about-changing-bodies-things-got-weird\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"When Modernists wrote about changing bodies, things got weird\" \/>\n<meta property=\"og:description\" content=\"My work aims to theorize \u201cthe Weird,\u201d named as such in the supernatural horror of H.P. 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