[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n
Annual Poetry Prize Winner: Don Judson\u00a0<\/strong>– Appalachia; Florida Scrapbook; season of the witch (revisited); Waiting; Saying the Names<\/p>\n Ricardo Pau-Llosa<\/strong> – Venal Sins Man [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Fiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Annual Fiction Prize Winner: Caroline Wilkinson\u00a0<\/strong>– The Half-Glass Bed<\/p>\n Eric Tanyavutti\u00a0<\/strong>– Brothers [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Nonfiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Annual Creative Nonfiction Prize Winner: Debra Marquart\u00a0<\/strong>– Ephemera<\/p>\n Sara Backer<\/strong> – La Gata [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Review” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Nick Ripatrazone <\/strong>– Review of\u00a0Echolocation\u00a0<\/em>by Myfanwy Collins<\/p>\n [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Interview” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Andy Fitch <\/strong>– An Interview with Catherine Taylor<\/p>\n [\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Art” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n Kristina French <\/strong>– Sistas; Terrible Nightmare; Melting; Unititled [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.17.2″]<\/p>\n Past Issue: 47.2<\/span><\/strong><\/span><\/p>\n [\/et_pb_text][et_pb_image _builder_version=”3.17.2″ src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/06\/CCR-Cover-Feb-2024-scaled.jpg” \/][et_pb_button _builder_version=”3.17.2″ button_text=”Purchase” button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_alignment=”center” background_layout=”dark” custom_button=”on” \/][et_pb_text _builder_version=”3.17.2″ text_text_shadow_blur_strength=”0.3em” text_orientation=”center”]<\/p>\n $<\/span>7 US [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”] Annual Poetry Prize Winner: Don Judson\u00a0– Appalachia; Florida Scrapbook; season of the witch (revisited); Waiting; Saying the Names Ricardo Pau-Llosa […]<\/p>\n","protected":false},"author":37709,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-5803","page","type-page","status-publish","hentry"],"yoast_head":"\n
\nKeith Montesano<\/strong> – The Author as Man Watching the Lake Shore Strangler Try to Escape as Gunshots Ring Out in Child’s Play; The Author as Man Who Watches through the Trees as Bruce Gets Killed after Being Struck by the Convertible in\u00a0The Informers<\/em>
\nMary Lou Buschi<\/strong> – Departure with Still Life
\nJohn Sibley Williams<\/strong> – Older Testaments
\nSarah Wangler<\/strong> – Lake of the Clouds Writes to Marianne
\nSean Thomas Dougherty <\/strong>– Sonogram
\nGary Dop <\/b>– Russia’s Salyut 4 Space Station
\nLo Kwa Mei-en<\/strong> – The Body with an Elegy Inside of It; Left to Those I Love
\nDaniel Tobin<\/strong> – At the Mountain of Death
\nFred Cardin<\/strong> – Astronaut
\nMontreux Rotholtz<\/strong> – Relapse
\nBrenna W. Lemieux<\/strong> – The Gospel of Household Plants
\nCaley O’Dwyer<\/strong> – Reds
\nLeonore Hildebrandt<\/strong> – Burnt Umber
\nCorey Van Landingham<\/strong> – The Chair & The Birdcage; Confessional
\nClaudia Cortese <\/b>– More Bubbles Where She Came From
\nBen Purkert <\/strong>– Elasticity of a Good
\nJoshua Ware <\/strong>– Think of People as Buildings
\nKyla Sterling <\/strong>– Warnings & Fables; Self-Portrait in a Chinese Fable
\nMatt McBride <\/strong>– City of Ringing Telephones
\nColleen Coyne <\/strong>– The Sin Eater
\nJacob Oet <\/strong>– At One
\nNatalie Scenters-Zapico <\/strong>– A Torero’s Daughter is Killed in La\u00a0Plaza de Toros, Ju\u00e1rez<\/span>; I Light the House on Fire and Lie Down
\nDoug Ramspeck <\/strong>– Dawn Song
\nKara Arguello <\/strong>– Ghazal<\/p>\n
\nJosh Collins\u00a0<\/strong>– Exceeding Capactiy
\nSam Panarella\u00a0<\/strong>– Montana 94
\nElisa Fern\u00e1ndez-Arias\u00a0<\/strong>– Song of the Young Prostitute, Rio de Janeiro, Brazil, 1986
\nSuzanne Rindell\u00a0<\/strong>– The Mechanical Man
\nAdam Reger\u00a0<\/strong>– The Night the Washington Generals Beat the Harlem Globetrotters
\nHelen Maryles Shankman\u00a0<\/strong>– The Whore of Solna Street<\/p>\n
\nMark Lewandowski <\/strong>– Out of Bodies
\nDionisia Morales\u00a0<\/strong>– The Color of Memory
\nDavid R. O’Gorman\u00a0<\/strong>– Second Person<\/p>\n
\nJing Zhou\u00a0<\/strong>– Randomness; Totality; Walt Disney Concert Hall<\/p>\n
\n<\/span><\/p>\n