{"id":5678,"date":"2024-07-31T12:50:47","date_gmt":"2024-07-31T17:50:47","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=5678"},"modified":"2026-01-08T16:13:58","modified_gmt":"2026-01-08T22:13:58","slug":"39-2-fall-winter-2015","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/39-2-fall-winter-2015\/","title":{"rendered":"39.2 Fall\/Winter 2015"},"content":{"rendered":"

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Vincent Toro<\/strong> – On Scarification; The Block, Romare Bearden, 1972
\nCarter Smith<\/strong> – Value Proposition
\nSierra Jacob<\/strong> – Pacific Progression: An Oral History
\nAmy Elisabeth Hansen<\/strong> – Shiners
\nTrevor Ketner<\/strong> – Cipher
\nPhilip Schaefer<\/strong> – Autumnal Hum; X
\nMichael Robins <\/strong>– Fabulous Prizes; [accordingly, you burn]; Gone for the Summer
\nGabrielle Gravestein<\/strong> – Empire Service – January; Glass Lips
\nBritt Ashley<\/strong> – Dear Doppelganger,; Dorothy Arnold’s Fever Dream, 1909
\nJenna Le<\/strong> – May 1, 2015
\nAmanda Hope<\/strong> – The Mistress
\nJulie Henson<\/strong> – Dogmatics
\nJeffrey Morgan<\/strong> – A Brief History of the Future
\nToby Altman<\/strong> – Live Intimate Nostalgia; Best Practices
\nMichael Walsh<\/strong> – The Antigay Retelling of My Life; My Mother with Dozens of Gay Sons<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Fiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Ihab Hassan<\/strong> – The Swifts of Fez
\nGrayson Lee Maxwell<\/strong> – Disruptions
\nAndrew LaRaia<\/strong> – 20 in 10
\nBen Black<\/strong> – The Wall
\nRobert Kerbeck\u00a0<\/strong>– Lycans Don’t Surf<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Nonfiction” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Laura Citino<\/strong> – Indulgences
\nGardner Landry<\/strong> – The Song of Songs
\nSoham Patel\u00a0<\/strong>– On “The Best American Poetry” & 100 Chinese Silences: An Interview With Timothy Yu
\nJohn McDonough<\/strong> – My Documents: Review<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Art” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”]<\/p>\n

Jesse Ponkamo<\/strong> – Untitled 1; Untitled 2; Untitled 3; Untitled 4
\nLindsey Dorr-Niro<\/strong> – Bright Land
\nDavid Sheskin<\/strong> – DNA – Museum Viewer
\nAmy Guidry\u00a0<\/strong>– Bond; Interrelated<\/p>\n

[\/et_pb_tab][et_pb_tab _builder_version=”3.17.2″ title=”Other Side of the Mirror” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease”]<\/p>\n

B. Batchelor\u00a0<\/strong>– Prison Pastoral
\nFreesia McKee\u00a0<\/strong>– “Writing Has Made Me Different”: Writing in a Milwaukee Prison
\nStewart Gonzales\u00a0<\/strong>– Apricots; Red Wax-Lips
\nRandall Horton\u00a0<\/strong>– XIX 1999: Old School & Black
\nCatherine La Fleur\u00a0<\/strong>– The Woman in Cell 47
\nJess Smith\u00a0<\/strong>– Procedure
\nAce Boggess\u00a0<\/strong>– The Chaplain’s Guitar
\nD.M. Aderibigbe\u00a0<\/strong>– In Defence of Madness
\nJacqueline Balderrama\u00a0<\/strong>– Giants’ Faces Held in the Hills
\nIan C. Smith\u00a0<\/strong>– When as a boy
\nJesus Lopez\u00a0<\/strong>– Can you dig it?<\/p>\n

[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.17.2″ \/][et_pb_image _builder_version=”3.17.2″ \/][et_pb_button _builder_version=”3.17.2″ button_text=”Purchase” button_url=”https:\/\/uwm.edu\/creamcityreview\/subscriptions\/” button_alignment=”center” background_layout=”dark” custom_button=”on” \/][et_pb_text _builder_version=”3.17.2″ text_text_shadow_blur_strength=”0.3em” text_orientation=”center”]<\/p>\n

$<\/span>7 US
\n<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_2″][et_pb_tabs _builder_version=”3.17.2″][et_pb_tab _builder_version=”3.17.2″ title=”Poetry” link_option_url_new_window=”off” use_background_color_gradient=”off” background_color_gradient_start=”#2b87da” background_color_gradient_end=”#29c4a9″ background_color_gradient_type=”linear” background_color_gradient_direction=”180deg” background_color_gradient_direction_radial=”center” background_color_gradient_start_position=”0%” background_color_gradient_end_position=”100%” background_color_gradient_overlays_image=”off” parallax=”off” parallax_method=”on” background_size=”cover” background_position=”center” background_repeat=”no-repeat” background_blend=”normal” allow_player_pause=”off” background_video_pause_outside_viewport=”on” tab_text_shadow_style=”none” body_text_shadow_style=”none” hover_transition_duration=”300ms” hover_transition_delay=”0ms” hover_transition_speed_curve=”ease” tab_text_shadow_horizontal_length=”0em” tab_text_shadow_vertical_length=”0em” tab_text_shadow_blur_strength=”0em” body_text_shadow_horizontal_length=”0em” body_text_shadow_vertical_length=”0em” body_text_shadow_blur_strength=”0em”] Vincent Toro – On Scarification; 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