{"id":5409,"date":"2024-07-10T19:24:47","date_gmt":"2024-07-11T00:24:47","guid":{"rendered":"https:\/\/uwm.edu\/creamcityreview\/?page_id=5409"},"modified":"2026-01-08T16:17:52","modified_gmt":"2026-01-08T22:17:52","slug":"cheshire-anton-lushankin","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/cheshire-anton-lushankin\/","title":{"rendered":"Cheshire &#8211; Anton Lushankin"},"content":{"rendered":"<h2 style=\"text-align: left\"><i>Yohji Yamamoto (revisited) II<\/i><\/h2>\n<p style=\"text-align: center\"><em>with technical support by Natalya Kolosova<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><em>Click the image for a larger version.<\/em><\/p>\n<h3 style=\"text-align: center\">I<\/h3>\n<p style=\"text-align: center\"><a class=\"hoverZoomLink\" href=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-scaled.jpg\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5403 hoverZoomLink\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-200x300.jpg 200w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-683x1024.jpg 683w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-100x150.jpg 100w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-768x1152.jpg 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-1024x1536.jpg 1024w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-1365x2048.jpg 1365w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-1080x1620.jpg 1080w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0<a class=\"hoverZoomLink\" href=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-scaled.jpg\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5404 hoverZoomLink\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-200x300.jpg 200w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-683x1024.jpg 683w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-100x150.jpg 100w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-768x1152.jpg 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-1024x1536.jpg 1024w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-1365x2048.jpg 1365w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-1080x1620.jpg 1080w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_II-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<h3 style=\"text-align: center\">II<\/h3>\n<p style=\"text-align: center\"><a class=\"hoverZoomLink\" href=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-scaled.jpg\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5405 hoverZoomLink\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-200x300.jpg 200w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-683x1024.jpg 683w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-100x150.jpg 100w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-768x1152.jpg 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-1024x1536.jpg 1024w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-1365x2048.jpg 1365w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-1080x1620.jpg 1080w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_I-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0<a class=\"hoverZoomLink\" href=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-scaled.jpg\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5406 hoverZoomLink\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-200x300.jpg 200w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-683x1024.jpg 683w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-100x150.jpg 100w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-768x1152.jpg 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-1024x1536.jpg 1024w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-1365x2048.jpg 1365w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-1080x1620.jpg 1080w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_II_II-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<h3 style=\"text-align: center\">III<\/h3>\n<p style=\"text-align: center\"><a class=\"hoverZoomLink\" href=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-scaled.jpg\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5407 hoverZoomLink\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-200x300.jpg 200w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-683x1024.jpg 683w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-100x150.jpg 100w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-768x1152.jpg 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-1024x1536.jpg 1024w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-1365x2048.jpg 1365w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-1080x1620.jpg 1080w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_I-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0<a class=\"hoverZoomLink\" href=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-scaled.jpg\" rel=\"noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5408 hoverZoomLink\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-200x300.jpg 200w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-683x1024.jpg 683w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-100x150.jpg 100w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-768x1152.jpg 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-1024x1536.jpg 1024w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-1365x2048.jpg 1365w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-1080x1620.jpg 1080w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_III_II-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\">Artist Note:<br \/>\n<em>Yohji Yamamoto (revisited) Triptych II<\/em> is an attempt to understand words through their pattern, fabric-like nature, detached from initial language. Dedicated to legendary couturier, this set of pieces tries to break away, lose all the feelings, get away from sense and become a texture in itself. It gets assimilated with a black wool coat it&#8217;s attached to via pins, tape and red threads. It is beyond the realm of poetry. It is a pure feeling for there are no more connections to the previous feelings. No context gives birth to new possibilities. New perception of thought is born.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anton Lushankin <\/strong>is a (visual) poet, writer, playwright and translator, born and residing in Kyiv. His work has appeared in <em>petrichor<\/em>, <em>dadakuku<\/em>, <em>TAB Journal<\/em>, and <em>Word For\/Word<\/em>. He holds a Bachelor degree in Architecture at TU of Berlin and currently pursues a Master degree in Architecture at RWTH Aachen University.<\/p>\n<p><a href=\"https:\/\/uwm.edu\/creamcityreview\/i-o\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5062 hoverZoomLink aligncenter\" src=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2023\/09\/cheshire-medum-300x112.png\" alt=\"\" width=\"153\" height=\"57\" srcset=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2023\/09\/cheshire-medum-300x112.png 300w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2023\/09\/cheshire-medum-150x56.png 150w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2023\/09\/cheshire-medum-768x287.png 768w, https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2023\/09\/cheshire-medum.png 1021w\" sizes=\"auto, (max-width: 153px) 100vw, 153px\" \/><\/a><\/p>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;cursor: pointer;top: 5px;left: 5px;width: auto;height: auto\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 270px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 6px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 116px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 263px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 263px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 1102px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 372px;left: 330px;width: auto;height: auto;cursor: pointer\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px 5px;position: absolute;z-index: 2147483647;top: 5px;left: 5px;width: auto;height: auto\"><\/div>\n<div id=\"hzViewer\" style=\"background: none;line-height: 0px;overflow: hidden;padding: 10px 5px;position: absolute;z-index: 2147483647;top: 476px;left: 5px;width: auto;height: auto;cursor: pointer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Yohji Yamamoto (revisited) II with technical support by Natalya Kolosova &nbsp; Click the image for a larger version. I \u00a0 \u00a0 II \u00a0 \u00a0 III \u00a0 \u00a0 &nbsp; Artist Note: Yohji Yamamoto (revisited) Triptych II is an attempt to understand words through their pattern, fabric-like nature, detached from initial language. Dedicated to legendary couturier, this [&hellip;]<\/p>\n","protected":false},"author":37709,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-5409","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Cheshire - Anton Lushankin - since &#039;75<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uwm.edu\/creamcityreview\/cheshire-anton-lushankin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cheshire - Anton Lushankin\" \/>\n<meta property=\"og:description\" content=\"Yohji Yamamoto (revisited) II with technical support by Natalya Kolosova &nbsp; Click the image for a larger version. I \u00a0 \u00a0 II \u00a0 \u00a0 III \u00a0 \u00a0 &nbsp; Artist Note: Yohji Yamamoto (revisited) Triptych II is an attempt to understand words through their pattern, fabric-like nature, detached from initial language. Dedicated to legendary couturier, this [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/uwm.edu\/creamcityreview\/cheshire-anton-lushankin\/\" \/>\n<meta property=\"og:site_name\" content=\"since &#039;75\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-08T22:17:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2024\/05\/Yohji-Yamamoto-revisited-II_I_I-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1707\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/\",\"url\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/\",\"name\":\"Cheshire - Anton Lushankin - since &#039;75\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/wp-content\\\/uploads\\\/sites\\\/421\\\/2024\\\/05\\\/Yohji-Yamamoto-revisited-II_I_I-200x300.jpg\",\"datePublished\":\"2024-07-11T00:24:47+00:00\",\"dateModified\":\"2026-01-08T22:17:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/#primaryimage\",\"url\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/wp-content\\\/uploads\\\/sites\\\/421\\\/2024\\\/05\\\/Yohji-Yamamoto-revisited-II_I_I-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/wp-content\\\/uploads\\\/sites\\\/421\\\/2024\\\/05\\\/Yohji-Yamamoto-revisited-II_I_I-scaled.jpg\",\"width\":1707,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/cheshire-anton-lushankin\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cheshire &#8211; Anton Lushankin\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/#website\",\"url\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/\",\"name\":\"since &#039;75\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/uwm.edu\\\/creamcityreview\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Cheshire - Anton Lushankin - since &#039;75","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/uwm.edu\/creamcityreview\/cheshire-anton-lushankin\/","og_locale":"en_US","og_type":"article","og_title":"Cheshire - Anton Lushankin","og_description":"Yohji Yamamoto (revisited) II with technical support by Natalya Kolosova &nbsp; Click the image for a larger version. I \u00a0 \u00a0 II \u00a0 \u00a0 III \u00a0 \u00a0 &nbsp; Artist Note: Yohji Yamamoto (revisited) Triptych II is an attempt to understand words through their pattern, fabric-like nature, detached from initial language. 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