{"id":2045,"date":"2018-09-20T15:59:06","date_gmt":"2018-09-20T15:59:06","guid":{"rendered":"http:\/\/draft.creamcityreview.org\/?page_id=1084"},"modified":"2025-02-10T20:46:35","modified_gmt":"2025-02-11T02:46:35","slug":"i-o","status":"publish","type":"page","link":"https:\/\/uwm.edu\/creamcityreview\/i-o\/","title":{"rendered":"Cheshire | I\u00d8"},"content":{"rendered":"

[et_pb_section bb_built=”1″ inner_shadow=”on” _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”9px|0px|153px|0px|false|false” animation_direction=”top” next_background_color=”#ffffff”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.1″][et_pb_column type=”3_5″][et_pb_text _builder_version=”3.17.2″ text_orientation=”justified” custom_margin=”9px|51px||”]<\/p>\n

\n

Cheshire<\/strong><\/em> IS NOT ACCEPTING SUBMISSIONS AT THIS TIME.\u00a0<\/strong><\/h3>\n

 <\/p>\n

Yoji Yamamoto (revisited) II<\/em> by Anton Lushankin<\/a><\/p>\n

from\u00a0Indiesemic<\/em> by Dona Mayoora<\/a><\/p>\n

Visual Works by Michael Paulukonis<\/em><\/a><\/p>\n

Asemic Works\u00a0<\/em>by Jeanne Ranney Ranz<\/a><\/p>\n

Three Works\u00a0<\/em>by Maya C. Thompson<\/a><\/p>\n

Asemic Journal Poems <\/em>by Stephen Nelson<\/a><\/p>\n

Two Works\u00a0<\/em>by Kenneth M. Cale<\/a><\/p>\n

Two Works\u00a0<\/em>by Astra Papachristodoulou<\/a><\/p>\n

Moreau’s Doctored Bodies\u00a0<\/em><\/a>by James Knight<\/a><\/p>\n

Asemic Objects\u00a0<\/a><\/em>by\u00a0Grzegorz Wr\u00f3blewski<\/a><\/a><\/p>\n

Make\u00a0<\/em>by Ben Miller<\/a><\/p><\/blockquote>\n

The original Cheshire<\/strong><\/em>\u00a0was started at the Wisconsin State Teachers College in 1931 and ended at UWM in 1968, a year before the new Creative Writing program began. In 1964, it was at the center of a university censorship case. When the off-campus printer refused to publish certain poems it deemed “obscene,” the editors inserted them into copies anyway. More on that story here<\/a><\/span>.<\/p>\n

In that same revolutionary spirit, Cream City Review <\/em><\/strong>is proud to reintroduce our predecessor as our new home for work that operates outside the printed page. Cheshire <\/em><\/strong>seeks bold new writing, coding, videography, and expression from all over the world.<\/p>\n

HERE’S<\/span><\/a> <> SOME<\/a><\/span> <> STUFF<\/a><\/span> <> WE<\/a><\/span> <> LIKE<\/a><\/span><\/p><\/blockquote>\n

See also our past I\u00d8<\/a><\/strong>\u00a0<\/em>editions below for more interactive writing!<\/p>\n

What we want:<\/strong> asemic writing, concrete poetry, interactive fiction & poetry, video, collage, hypertext essay, GIFpoetics, programmatic, gamic, and all hybrid and multimodal points along the way, things that capture process and procedure, lines and the signs between.<\/p>\n

We are also interested in work guided by a philosophy of the new, which is to say work in which form and message converge in radical new ways. Queer, anticolonial, and ecotextual work is more than welcome.<\/p>\n

What we\u00a0don’t\u00a0<\/em>want:\u00a0<\/strong>Text-based work that engages very little with mixed and\/or\u00a0 digital medium. For instance, if the only thing “experimental” about your poems is the spacing, they may be a better fit for our\u00a0Cream City Review<\/em> print issues (and you should totally send them there).<\/p>\n

Cheshire IS NOT ACCEPTING SUBMISSIONS AT THIS TIME.\u00a0<\/strong><\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″][et_pb_image src=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2023\/09\/cheshire-winter-1962-smaller.png” _builder_version=”3.17.2″]<\/p>\n

 <\/p>\n

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 <\/p>\n

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Welcome to I\u00d8<\/em>. Currently closed for future submissions, but never say die. In the meantime, please enjoy our past selections:<\/strong><\/p>\n

Thanks to the creative inspiration of Stuart Moulthrop (an innovator of electronic literature and hypertext fiction and faculty within the UWM English department), Cream City Review<\/em><\/strong> recognized and answered the glowing beacon of a nearby digital screen. This new genre seeks to provide a dual site for writers and artists to demonstrate the potential found in the interstices and encounters between the printed and digital page. The cross-platform format allows for both printed and digital elements to complement one another and to create a complete work with (often times) interactive text. Cream City Review<\/em><\/strong> is excited to explore and expand the publication boundaries of the literary arts and digital authorship.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″][et_pb_blurb image=”http:\/\/draft.creamcityreview.org\/wp-content\/uploads\/2018\/10\/1o2.jpg” _builder_version=”3.17.1″ custom_margin=”0px||”]<\/p>\n

 <\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=”1″ _builder_version=”3.17.1″ background_color=”rgba(255,255,255,0.14)” custom_padding=”50px|0px|50px|0px|false|false” prev_background_color=”#000000″][et_pb_row custom_padding=”0|0px|40px|0px|false|false” _builder_version=”3.17.2″ animation_style=”slide” animation_direction=”top” animation_duration=”1500ms” animation_intensity_slide=”5%” animation_speed_curve=”ease”][et_pb_column type=”1_4″][et_pb_blurb title=”88 Constellations for Wittgenstein (to be played with the Left Hand)” url=”http:\/\/io.creamcityreview.org\/42-2\/Clark\/88_Constellations.jpg” url_new_window=”on” image_max_width=”97%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” body_font=”||||||||” body_text_align=”center” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/88constellations.net\/” link_option_url_new_window=”on”]<\/p>\n

by\u00a0David Clark<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][\/et_pb_column][et_pb_column type=”1_4″][\/et_pb_column][et_pb_column type=”1_4″][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|40px|0px|false|false” _builder_version=”3.17.1″ animation_style=”slide” animation_direction=”top” animation_duration=”1500ms” animation_intensity_slide=”5%” animation_speed_curve=”ease”][et_pb_column type=”1_4″][et_pb_blurb title=”In the Middle of the Room” url=”http:\/\/io.creamcityreview.org\/42-1\/Morris_Blair\/InTheMiddleOfTheRoom-previewQuality” url_new_window=”on” image=”https:\/\/uwm.edu\/creamcityreview\/wp-content\/uploads\/sites\/421\/2019\/03\/Blair-and-Morris.png” image_max_width=”92%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.3em” body_font=”||||||||” body_text_align=”center” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px” link_option_url=”http:\/\/io.creamcityreview.org\/42-1\/Morris_Blair\/InTheMiddleOfTheRoom-previewQuality” link_option_url_new_window=”on”]<\/p>\n

by\u00a0Elisabeth Blair and Jeff Morris<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”We Knew the Glass Man” url=”http:\/\/io.creamcityreview.org\/43-1\/McDaid\/WeKnewtheGlassMan_v1.2.html” url_new_window=”on” image_max_width=”77%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” body_font=”||||||||” body_text_align=”center” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|0px||0px” link_option_url=”http:\/\/io.creamcityreview.org\/43-1\/McDaid\/WeKnewtheGlassMan_v1.2.html” link_option_url_new_window=”on”]<\/p>\n

by John McDaid<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”Four Guillemets” url=”https:\/\/uwm.edu\/creamcityreview\/i-o\/four-guillemets\/” url_new_window=”on” image_max_width=”91%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” body_font=”||||||||” body_text_align=”center” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px” link_option_url=”https:\/\/uwm.edu\/creamcityreview\/i-o\/four-guillemets\/” link_option_url_new_window=”on”]<\/p>\n

by Loss Peque\u00f1o Glazier<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”Rerites” url=”https:\/\/uwm.edu\/creamcityreview\/i-o\/rerites\/” url_new_window=”on” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” body_font=”||||||||” body_text_align=”center” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px” link_option_url=”https:\/\/uwm.edu\/creamcityreview\/i-o\/rerites\/” link_option_url_new_window=”on”]<\/p>\n

by David Have Johnston<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|40px|0px|false|false” _builder_version=”3.17.2″ animation_style=”slide” animation_direction=”top” animation_duration=”1500ms” animation_intensity_slide=”5%” animation_speed_curve=”ease”][et_pb_column type=”1_4″][et_pb_blurb title=”The Listeners: an instance of aurature” url=”http:\/\/io.creamcityreview.org\/40-2\/cayley\/index.html” url_new_window=”on” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” body_font=”||||||||” body_text_align=”center” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-2\/cayley\/index.html” link_option_url_new_window=”on”]<\/p>\n

by\u00a0John Cayley<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”Agnostic Triptych” url=”http:\/\/io.creamcityreview.org\/40-1\/larsen\/triptych-larsen-johnson-smith.pdf” url_new_window=”on” image_max_width=”38%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-1\/larsen\/triptych-larsen-johnson-smith.pdf” link_option_url_new_window=”on”]<\/p>\n

by Deena Larsen, Stace Johnson, Robert Lavett Smith<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”The Invisible Game” url=”http:\/\/io.creamcityreview.org\/40-1\/nelson\/sample-index.html” url_new_window=”on” image_max_width=”67%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|0px||0px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-1\/nelson\/sample-index.html” link_option_url_new_window=”on”]<\/p>\n

by\u00a0Jason Nelson<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”Use of Dust” url=”http:\/\/io.creamcityreview.org\/40-1\/montfort\/use_of_dust.html” url_new_window=”on” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-1\/montfort\/use_of_dust.html” link_option_url_new_window=”on”]<\/p>\n

by\u00a0Nick Monfort<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|18.9688px|0px|false|false” _builder_version=”3.17.1″ animation_style=”slide” animation_direction=”top” animation_duration=”1500ms” animation_intensity_slide=”5%” animation_speed_curve=”ease”][et_pb_column type=”1_4″][et_pb_blurb title=”Una p\u00e1gina de Babel” url=”http:\/\/io.creamcityreview.org\/40-1\/montfort\/babel.html” url_new_window=”on” image_max_width=”68%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-1\/montfort\/babel.html” link_option_url_new_window=”on”]<\/p>\n

by\u00a0Nick Monfort<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”Random By” url=”http:\/\/io.creamcityreview.org\/40-1\/montfort\/random_by.html” url_new_window=”on” image_max_width=”87%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” body_font=”||||||||” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-1\/montfort\/random_by.html” link_option_url_new_window=”on”]<\/p>\n

by\u00a0Nick Monfort<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”IF” url=”http:\/\/io.creamcityreview.org\/40-1\/zellen\/if.html” url_new_window=”on” content_max_width=”564px” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/40-1\/zellen\/if.html” link_option_url_new_window=”on”]<\/p>\n

by\u00a0Jody Zellen<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″][et_pb_blurb title=”MOSAIC: A Project for Feral Graduate Students” url=”http:\/\/io.creamcityreview.org\/41-2\/margaretrhee\/mrhee.html” url_new_window=”on” image_max_width=”79%” _builder_version=”3.17.2″ header_font=”|700||on|||||” header_font_size=”15px” header_line_height=”1.1em” border_radii_image=”on|15px|15px|15px|15px” text_orientation=”center” custom_margin=”|5px||5px||true” link_option_url=”http:\/\/io.creamcityreview.org\/41-2\/margaretrhee\/mrhee.html” link_option_url_new_window=”on”]<\/p>\n

by Margaret Rhee<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section bb_built=”1″ inner_shadow=”on” _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”9px|0px|153px|0px|false|false” animation_direction=”top” next_background_color=”#ffffff”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.1″][et_pb_column type=”3_5″][et_pb_text _builder_version=”3.17.2″ text_orientation=”justified” custom_margin=”9px|51px||”] Cheshire IS NOT ACCEPTING SUBMISSIONS AT THIS TIME.\u00a0   Yoji Yamamoto (revisited) II by Anton Lushankin from\u00a0Indiesemic by Dona Mayoora Visual Works by Michael Paulukonis Asemic Works\u00a0by Jeanne Ranney Ranz Three Works\u00a0by Maya C. Thompson Asemic Journal Poems by Stephen Nelson […]<\/p>\n","protected":false},"author":37709,"featured_media":5062,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","uwm_wg_additional_authors":[]},"class_list":["post-2045","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nCheshire | I\u00d8 - since '75<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uwm.edu\/creamcityreview\/i-o\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cheshire | I\u00d8\" \/>\n<meta property=\"og:description\" content=\"[et_pb_section bb_built=”1″ inner_shadow=”on” _builder_version=”3.17.2″ background_color=”rgba(255,255,255,0.14)” custom_padding=”9px|0px|153px|0px|false|false” animation_direction=”top” next_background_color=”#ffffff”][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.17.1″][et_pb_column type=”3_5″][et_pb_text _builder_version=”3.17.2″ text_orientation=”justified” custom_margin=”9px|51px||”] Cheshire IS NOT ACCEPTING SUBMISSIONS AT THIS TIME.\u00a0   Yoji Yamamoto (revisited) II by Anton Lushankin from\u00a0Indiesemic by Dona Mayoora Visual Works by Michael Paulukonis Asemic Works\u00a0by Jeanne Ranney Ranz Three Works\u00a0by Maya C. 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