ARTHIST 102 Views a Nolde
This week Assistant Professor Kay Wells’ ARTHIST 102: Renaissance to Modern Art and Architecture discussion sections visited the UWM Art History Gallery to view works from the UWM Art Collection.
Kay Wells
ARTHIST 102 Views Lautrec and Derain
This week Assistant Professor Kay Wells’ ARTHIST 102: Renaissance to Modern Art and Architecture discussion sections visited the UWM Art History Gallery to view works from the UWM Art Collection.
ARTHIST 102 views 19th Century Art
This week Assistant Professor Kay Wells’ ARTHIST 102: Renaissance to Modern Art and Architecture discussion sections visited the UWM Art History Gallery to view works from the UWM Art Collection.
“Wierusz-Kowalski” Opens in the UWM Art History Gallery
Alfred von Wierusz-Kowalski: Political Struggle and Metaphor opened in the UWM Art History Gallery on Monday, March 23, 2015.
Undergraduate Students View 18th Century Art
This week Assistant Professor Kay Wells’ ARTHIST 102: Renaissance to Modern Art and Architecture discussion sections visited the UWM Art History Gallery to view works from the UWM Art Collection.
Anderson uses Hayes Award to Research in DC and Philly
Graduate student Cortney Anderson is currently writing her thesis on Mary Cassatt, her paintings and pastels of women performing needlecraft (particularly that of her sister in the painting Lydia at a Tapestry Frame), and their engagement with Medievalism.
Dürer and Cranach on View for Undergraduate Students
This week Assistant Professor Kay Wells’ ARTHIST 102: Renaissance to Modern Art and Architecture discussion sections visited the UWM Art History Gallery to view works from the UWM Art Collection.
Meet Kay Wells
The newest member of our faculty, Assistant Professor Kay Wells, is a historian of American art who examines the relationships between fine and applied arts from the late eighteenth century to today.
Kay Wells Interviews Jaydan Moore and Olivia Valentine
Assistant Professor Kay Wells interviewed artists Jaydan Moore and Olivia Valentine for the Journal of Modern Craft at Virginia Commonwealth University. Their conversation addresses artists’ processes, the politics of gender and environmentalism, and disciplinary boundaries.