Szczepaniak-Gillece, Jocelyn. “Tasteful Networks of Attention: Language, Listening, Meaning, and Art House Exhibition” The Oxford Handbook on Cinematic Listening Oxford University Press. (2021).
Szczepaniak-Gillece, Jocelyn. “Bombed Pasts, Burning Futures: Notes on Demolition and Exhibition” Framework 62.2 (2021).
Szczepaniak-Gillece, Jocelyn. “Technologies of Blackness: Aldo Tambellini, Psychedelia, Widescreen, Media” Cultural Critique 112. (2021).
Szczepaniak-Gillece, Jocelyn, and Grusin, Richard A. Ends of Cinema University of Minnesota Press. 2020.
Szczepaniak-Gillece, Jocelyn. The Optical Vacuum: Spectatorship and Modernized American Theater Architecture Oxford University Press. 2018.
Szczepaniak-Gillece, Jocelyn, and Groening, Stephen. Afterword, Objects, Exhibition, and the Spectator 28.3 Bloomington, IN: Film History. 2016.
Szczepaniak-Gillece, Jocelyn, and Groening, Stephen. Objects, Exhibition, and the Spectator - Special issue of Film History 28.3 Bloomington, IN: Film History. 2016.
Szczepaniak-Gillece, Jocelyn. “Smoke and Mirrors: Cigarettes, Cinephilia, and Reverie in the American Movie Theater” Film History 28.3 (2016): 85-113.
Szczepaniak-Gillece, Jocelyn. “In the House, in the Picture: Distance and Proximity in the American Mid-Century Neutralized Theatre” World Picture 7, "Distance". (2012): 1-18.
Szczepaniak-Gillece, Jocelyn. “The Hues of Memory, the Shades of Experience: Color and Time in 'Syndromes and a Century'” Color and the Moving Image: History, Theory, Aesthetics, Archive New York and London: Routledge. (2012): 104-113.